
Book – Peter Wright: Wrights and Wrongs – my life in dance
His is an insider’s account, complete with waspish comments and cameos of the famous people he encountered…

Mariinsky Ballet – Cinderella (+ The Enchanted Wanderer) – New York
…the Ukrainian-born soloist Anastasia Matvienko was a pliant, loose-limbed Cinderella who danced with uninhibited ease and looked perfectly at home in Ratmansky’s goofy interpretation of the character.

Two Young NYCB Choreographers on the Move: Justin Peck and Troy Schumacher
Two young NYCB choreographers have been out talking and showing what they do: Justin Peck at the Guggenheim and Troy Schumacher at the 92nd Street Y. Marina Harss on why they are so worth tracking…

New York City Ballet – Jenifer Ringer’s farewell, Dances at a Gathering, Union Jack – New York
Some dancers leave us wanting more. That’s how Jenifer Ringer’s retirement from New York City Ballet feels; we’ve seen so little of her in recent seasons, and she’s dancing so well.

San Francisco Ballet – From Foreign Lands, Beaux, Classical Symphony and Symphonic Dances – New York
In its second mixed bill here in New York, San Francisco Ballet once again impressed with its vitality and the depth of its bench, as well as with its pleasantly unified look.

New York City Ballet – Spectral Evidence, Soirée Musicale, Namouna – New York
One feels as Débussy did when he wrote, at the end of the nineteenth century, that “amid too many silly ballets, Lalo’s Namouna is something of a masterpiece.”

Alexei Ratmansky – Balletic Musings, a Continuing Conversation
Do you perceive a difference between the musicality of American dancers and that of Russian dancers? AR: There is a huge difference in the musicality. I often found Russian dancers unmusical… But they have other qualities…

American Ballet Theatre – Sylvia – New York
Like a Fabergé egg with a tiny golden bird inside, Sylvia is decadent, a bit indulgent, but delightful.

San Francisco Ballet – Borderland (premiere), Suite en Blanc, In the Night – San Francisco
The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.

American Ballet Theatre – Firebird, Thirteen Diversions, Apollo – New York
Sometimes the second time is the charm. This seems to be especially true when it comes to new ballets by Alexei Ratmansky. Often, they’re not easy to take in on first viewing, indigestible as an over-rich meal. But then, something in us changes, our eye evolves.