"Nazareth Panadero" tag
Emma Barrowman in Bon Voyage, Bob...© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Bon Voyage, Bob… – London

★★✰✰✰   It’s three hours long, not including the interval. But a tanztheater classic this is not…

Breanna O'Mara in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Viktor – London

★★★★✰   It’s impossible to make coherent sense of a Bausch piece, whatever the source of her inspiration.

Silvia Farias-Heredia in Masurca Fogo.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Masurca Fogo – London

★★★★✰   How do you find the soul of a city? It was a challenge that Pina Bausch and her company took on again and again with their World Cities series of tanztheater works – and “Masurca Fogo”, made in 1998, must rank as one of the most successful attempts.

Tanztheater Wuppertal Pina Bausch in Auf dem Gebirge hat man ein Geschrei gehört.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Auf dem Gebirge hat man ein Geschrei gehört – London

Auf dem Gebirge comes from her gloomy period, when she was more concerned with the imagery her performers could dig out of themselves than with their abilities as dancers.

Nazareth Panadero in Pina Bausch's Kontakthof.© Julieta Cevantes. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Kontakthof – New York

Herein lies one of the more unfortunate traits of Kontakthof: there is more madness than dancing…

Julie Shanahan in 1980.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – 1980 – London

The cast’s collective maturity serves the work well since the central theme of many of the 50 or so episodes concerns the passage of life; concentrating especially on memories of childhood and youth contrasting with images of old age.

Julie Anne Stanzak in Ten Chi. © Maarten Vanden Abeele

Tanztheater Wuppertal Pina Bausch – Ten Chi – London

Ten Chi is like a musical composition mostly in a minor key – an accumulation of moments and motifs without a strong sense of purpose. In fact, much of the recorded music seems half-heard in sleep. There’s a pervasive feeling of melancholy, of a culture beyond comprehension except in crass tourist terms.

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