Royal Ballet School – Holland Park bill (mainly Upper School) – London
★★★★✰ The show overall gave us a good slice of what ballet is in 2019, and just how adaptable the students need to be these days – exciting times for them and exciting for us in the audience as well.
Images Ballet Company – Interplay, Mirrors, On Lineage, Meadowdown – London
★★★✰✰ Images has done an excellent job of commissioning appropriate, innovative choreographers, allowing the company to exceed their expectations…
Royal Ballet – Frankenstein – London
★★✰✰✰ Could Liam Scarlett’s monstrous Frankenstein be fixed with more, better surgery? Evidently not, in this revival, three years after its creation.
Richard Alston Dance Company – Detour, Quartermark, Proverb, Brahms Hungarian – London
★★★★✰ Alston’s choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.
Royal Ballet Flanders – Fall, Chronicle, Boléro – Antwerp
★★★★✰ For a very short while, Wim Vanlessen will enjoy the claim that he has performed for the Royal Ballet Flanders for more than half its existence. The company celebrates its fiftieth anniversary, later this year and Vanlessen joined in 1994. This performance was both a celebration of exceptional long service and a farewell…
New York City Ballet – All Robbins No. 4 bill – New York
★★★★✰ It was a good night for Afternoon of a Faun, in particular. Chase Finlay, débuting in the role of the young dancer sensually lolling about a ballet studio, brought back the eroticism this ballet often lacks.
Australian Ballet – Murphy (Graeme Murphy tribute bill of 6 works) – Sydney
★★★✰✰ Within this potpourri of Graeme Murphy’s works, the highlight was “Grand”, a charming and poignant tribute he created in 2005 for his mother, a pianist, who died the previous year.
Feature – Frederick Ashton’s choreography for Le Rossignol – a masterclass with Sir Anthony Dowell
The Metropolitan Opera in New York staged “Le Rossignol” in December 1981 as part of a programme commemorating the hundredth anniversary of Stravinsky’s birth… the producer was John Dexter. He told Ashton, back in London, that he could choreograph two dancers as the Nightingale and the Fisherman on stage, while the roles would be sung by opera singers in the orchestra pit…
Suzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington audiences have enjoyed an annual mini-festival of Balanchine’s works…
Feature – Suzanne Farrell Ballet’s Final Performances in Washington
This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a selection of George Balanchine’s choreographic gems…
American Ballet Theatre – Souvenir d’un Lieu Cher, I Feel the Earth Move, Daphnis and Chloe – New York
★★★✰✰ The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?
Washington Ballet – Les Sylphides, Le Corsaire pdd, Bolero, Prodigal Son – Washington
★★★★✰ It was a pleasure to see this company in such a smart and wide-ranging program. It was even more rewarding to see the Washington Ballet dancers masterly navigating the numerous challenges…
Julie Cunningham and Company – Returning, To Be Me – London
★★★✰✰ A final poem, ‘Man Down’, calls for compassion and acceptance that we are all combinations of male and female. The message is in the words rather than in the bodies of the dancers.
National Ballet of China – The Peony Pavilion – London
★★★✰✰ Peony Pavilion has become a signature work for the National Ballet of China and it’s easy to see why it has come back.
American Ballet Theatre – Jessica Lang’s Her Notes prmeiere + others – New York
★★★★✰ Jessica Lang’s Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.
American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York
★★★★✰ A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.
Ave Maya Gala in Memory of Maya Plisetskaya – London
★★★✰✰ Every gala needs a revelation, and this one was provided by Sergio Bernal, a Spanish dancer who dominated the stage in an imperious farruca solo from Antonio’s flamenco version of The Three Cornered Hat…
New York City Ballet – Walpurgisnacht Ballet, Sonatine, Mozartiana, Symphony in C – New York
★★★★✰ Some nights at the ballet you just get lucky: all the works are beautiful and the program is well balanced, and each of the casts is led by a ballerina who seems just right for the role.
New York City Ballet – Fall Gala, with 4 premieres – New York
Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…
Martha Clarke – Director and Choreographer, on Chéri
Martha Clarke talks to Jann Parry about Chéri – at the ROH Linbury Studio Theatre, 29 Sept – 4 Oct 2015…
