"Russell Janzen" tag
Sterling Hyltin and Gonzalo Garcia in Jerome Robbins’ Opus 19/The Dreamer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Balanchine, Robbins & Reisen quad bill – Washington

★★★✰✰   Opus 19 feels at once nostalgic, mysterious and dreamy…

New York City Ballet in Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York

★★★✰✰   Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.

Sara Mearns and Jared Angle in Jerome Robbins' In the Night.© Erin Baiano. (Click image for larger version)

New York City Ballet – Robbins bill: Interplay, In the Night, N.Y. Export: Opus Jazz – New York

★★★✰✰   There was virtually nothing to fault with “In the Night” on Saturday — each couple was well matched, and Robbins’ unique capacity to imbue classical form with the richness of human experience again seems unparalleled

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

Adrian Danchig-Waring, Tiler Peck and Ashly Isaacs in George Balanchine’s Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York

★★★★✰   After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.

Tiler Peck and the company in The Times Are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – American Rhapsody, The Four Temperaments, The Times Are Racing – Washington

★★★✰✰   To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.

Taylor Stanley in In Creases.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Justin Peck Quad bill – New York

★★★✰✰   Justin Peck is the it-boy at New York City Ballet, and it’s not hard to see why. At only 29, he has racked up an impressive number of ballets…

Unity Phelan and Zachary Catazaro in Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Wheeldon Quad bill – New York

★★★✰✰   It’s a shame that the company didn’t choose to revive some Wheeldon rarities from its back catalogue…

Tiler Peck in Justin Peck's The Times are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Times are Racing, The Shimmering Asphalt, Fearful Symmetries – New York

★★★✰✰   More than anything, Peck’s “The Times are Racing” reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

New York City Ballet in Vienna Waltzes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ballo della Regina, Kammermusik No. 2, Vienna Waltzes – New York

★★★★✰   Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers…

Teresa Reichlen and Russell Janzen in Diamonds.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels: Emeralds, Rubies, Diamonds – New York

★★★✰✰   What do you do with a problem like Jewels? This 1967 blockbuster by George Balanchine is a hard one to pull off…

New York City Ballet in Justin Peck's The Most Incredible Thing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – The Most Incredible Thing (premiere), Polaris, The Blue of the Distance, Common Ground, Estancia – New York

★★★✰✰ “Incredible is Peck’s first narrative, and this fact was obvious Tuesday night, particularly in the opening scenes which lacked clarity…”

Sara Mearns and Adrian Danchig-Waring in Glass Pieces.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Masters at Work and All Balanchine I bills – New York

★★★★✰ (20), ★★★✰✰ (21) The temperature in Glass Pieces was uncharacteristically low. Under the baton of Clotilde Otranto, the orchestra sounded muffled…

Sara Mearns and Tyler Angle in Peter Martins' Barber Violin Concerto.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Music Director’s Choice: Barber Violin Concerto, Fancy Free, Who Cares?, Candide (Overture) – New York

★★★✰✰ Lauren Gallagher at New York City Ballet’s Winter Season Opening where they introduced their new music director, Andrew Litton, in some style by naming the bill “Music Director’s Choice”…

Emery LeCrone in the studio.© Rosalie O’Connor. (Click image for larger version)

Emery LeCrone – Joyce Theater Ballet Festival bill – New York

I want to see what LeCrone can do with more bodies and longer pieces.

Teresa Reichlen in A Midsummer Night's Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – A Midsummer Night’s Dream – New York

George Balanchine’s Midsummer Night’s Dream is really two ballets, layered one upon the other.

Lauren Lovette and Anthony Huxley in La Sylphide.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Bournonville Divertissements, La Sylphide (Lovette debut) – New York

In her début as the Sylph, Lovette was warm, soft, enticing, more child-like than enigmatic.

Russell Janzen and Sterling Hyltin in Duo Concertant.© Paul Kolnik. (Click image for larger version)

New York City Ballet – some Balanchine Black and White Festival debuts – New York

There were three débuts at New York City Ballet last night: Zachary Catazaro in Apollo, Russell Janzen in Duo Concertant, and Lauren King in the role I think of as the “jumping girl” in Symphony in Three Movements.

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