"Sarah Lamb" tag
Sarah Lamb in Raymonda Act III.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London

★★★★✰   It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…

Anna Rose O’Sullivan in Concerto.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Concerto / Enigma Variations / Raymonda Act III

Gallery by Foteini Christofilopoulou…

Sarah Lamb and Vadim Muntagirov in Manon.© Alice Pennefather, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Manon – London

★★★★✰   Sarah Lamb and Vadim Muntagirov, as Des Grieux, are not new to the roles and their understanding of the characters and the choreography has deepened with experience.

Sarah Lamb.© ROH. (Click image for larger version)

5 Questions to Sarah Lamb, Royal Ballet Principal, about dancing Kenneth MacMillan’s Manon…

The Royal Ballet 2019/20 season opens on Wednesday 2 October with one of Kenneth MacMillan’s masterworks – Manon. Dancing that night will be Sarah Lamb – time to catch up with her we thought…

Joseph Gordon and David Hallberg in Maurice Béjart's Song of a Wayfarer.© Maria Baranova. (Click image for larger version)

RB, ABT, NYCB & NYTB dancers at the Joyce Ballet Festival – Prog C, curated by Jean-Marc Puissant – New York

★★★★✰   Starwise, Bejart’s Wayfarer bumps this program from two stars to four.

Joseph Sissens in Charlotte Edmonds' jojo.© Maria Baranova. (Click image for larger version)

Royal Ballet dancers at the Joyce Ballet Festival – Program A, An Evening of Solos and Duets – New York

★★★✰✰   Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Itziar Mendizabal in The Firebird.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Firebird, A Month in the Country, Symphony in C

Gallery by Foteini Christofilopoulou…

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Natalia Osipova in Medusa by Sidi Larbi Cherkaoui.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Within the Golden Hour, Medusa, Flight Pattern – London

★★★✰✰   A very mixed bill… Sidi Larbi Cherkaoui’s Medusa (★★✰✰✰), Christopher Wheeldon’s Within the Golden Hour (★★★★✰) and Crystal Pite’s Flight Pattern (★★★★✰)

Russian Ballet Icons Gala 2019 Gala group photo.© Jack Devant. (Click image for larger version)

Russian Ballet Icons Gala 2019 – London

★★★✰✰   The annual Ballet Icons gala, now in its 14th year, aims to promote Russian culture while providing a Sunday evening’s entertainment for Russians in London and ballet-lovers…

Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

Mayara Magri makes her debut as Gamzatti in La Bayadere on 14th November 2018.© and courtesy The Royal Ballet. (Click image for larger version)

Interview: Mayara Magri, First Soloist, The Royal Ballet

Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…

Natalia Osipova and Ryoichi Hirano in Mayerling.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Hirano, Osipova) – London

★★★★✰   Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.

World Ballet Live - 2 October 2018.

World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing

Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.

Francesca Hayward and Matthew Ball (The Royal Ballet) in Bach Forms, choreography by Wayne McGregor.© Ravi Deepres. (Click image for larger version)

Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire

★★★★✰   McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…

Calvin Richardson and Matthew Ball in Obsidian Tear. © Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Obsidian Tear, Marguerite and Armand, Elite Syncopations – London

★★★★✰   The ostensible link between the three works in this mixed bill is that they are by the Royal Ballet’s resident choreographers, past and present: Frederick Ashton. Kenneth MacMillan and Wayne McGregor. But none is typical of the choreographers’ work…

Sarah Lamb, Ryoichi Hirano in Elite Syncopations.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Obsidian Tear, Marguerite and Armand, Elite Syncopations

A triple bill of works by Wayne McGregor, Frederick Ashton and Kenneth MacMillan. Gallery by Dave Morgan…

Calvin Richardson and Joseph Sissons in Wayne McGregor's Yugen.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London

★★★✰✰   Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.

David Donnelly, Charlotte Tonkinson, David Yudes, Isabella Gasparini, Kevin Emerton and Camille Bracher in Christopher Wheeldon's Corybantic Games.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Bernstein Centenary triple bill incl new McGregor & Wheeldon

The Bernstein Centenary bill includes new works by Christopher Wheeldon (Corybantic Games) and Wayne McGregor (Yugen). Liam Scarlett’s The Age of Anxiety completes the bill. Gallery by Dave Morgan…

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