"Tanztheater Wuppertal Pina Bausch" tag
Emma Barrowman in Bon Voyage, Bob...© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Bon Voyage, Bob… – London

★★✰✰✰   It’s three hours long, not including the interval. But a tanztheater classic this is not…

Julie Shanahan in Bon Voyage, Bob...© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Bon Voyage, Bob…

Gallery by Foteini Christofilopoulou…

Tanztheater Wuppertal Pina Bausch in Since She.© Julian Mommert. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Since She – London

★★★★✰   Papaioannou weaves in many references to Bausch’s work and deliberately asks us to find them, the work is fuelled by his love for her. But he also invites us to move on from the nostalgia trip.

Dimitris Papaioannou's The Great Tamer.© Julian Mommert. (Click image for larger version)

Dimitris Papaioannou – The Great Tamer – London

★★★★✰   What a deeply strange – and strangely affecting – piece of work The Great Tamer is. You’d struggle to call it dance; Dimitris Papaioannou is intensely interested in bodies and how to move them, but this manifested itself in something quite different from sequences of steps.

Sidi Larbi Cherkaoui and Shantala Shivalingappa in Play.© Koen Broos. (Click image for larger version)

Sidi Larbi Cherkaoui and Shantala Shivalingappa – Play – London

★★✰✰✰   Cherkaoui looks older than his years, so much so that his relationship in Play with Shivalingappa risks being unsettling. As dancers, they are no longer equals, as they must have been in 2008.

Breanna O'Mara in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Viktor – London

★★★★✰   It’s impossible to make coherent sense of a Bausch piece, whatever the source of her inspiration.

Julie Shanahan in Viktor.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Viktor

Gallery by Foteini Christofilopoulou…

Ana Laguna and Yvan Auzely in Mats Ek's Axe.© Foteini Christofilopoulou. (Click image for larger version)

Sadler’s Wells Elixir Festival – KnowBody II – London

★★★✰✰   Mats Ek’s “Axe” could be the beginning to a new Scandi Noir TV series. There is a man, an axe, a huge pile of wood that he starts to chop with repressed intensity and a visibly distressed wife. It doesn’t look like it will end well.

English National Ballet in Pina Bausch's The Rite of Spring.© Laurent Liotardo. (Click image for larger version)

English National Ballet – Pina Bausch, William Forsythe, Hans van Manen bill – London

★★★★★   One cannot help but observe that while the programmes of other companies both hit and miss, in terms of their critical appreciation and popular appeal, ENB is continually raising the bar…

Silvia Farias-Heredia in Masurca Fogo.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Masurca Fogo – London

★★★★✰   How do you find the soul of a city? It was a challenge that Pina Bausch and her company took on again and again with their World Cities series of tanztheater works – and “Masurca Fogo”, made in 1998, must rank as one of the most successful attempts.

Andrey Berezin in Masurca Fogo.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Masurca Fogo

Gallery by Foteini Christofilopoulou…

Gandini Juggling in Smashed: Special Edition.© Kristy Meijers. (Click image for larger version)

Gandini Juggling – Smashed: Special Edition – London

★★★★✰   Bausch with added balls.

Patrick Williams Seebacher, Johnny M. Lloyd, Dimitri Jourde, Fabian Thomé and Sidi Larbi Cherkaoui in Fractus V.© Foteini Christofilopoulou. (Click image for larger version)

Eastman / Sidi Larbi Cherkaoui – Fractus V – London

★★★★✰   The work itself is a statement of faith that collaboration is better than confrontation. Each dancer has a powerful presence but Cherkaoui has forged a remarkable unity from these disparate elements…

Morena Nascimento in ...como el musguito en la piedra, ay si, si, si....© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – …como el musguito en la piedra, ay si, si, si… – London

★★★✰✰ Like all Pina Bausch’s pieces based on her company’s residencies in different cities, this one (which translates as ‘like moss on a stone’), inspired by Chile, is tantalising in its references.

Tanztheater Wuppertal Pina Bausch in ...como el musguito en la piedra, ay si, si, si....© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in …como el musguito en la piedra, ay si, si, si…

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Tanztheater Wuppertal Pina Bausch in Ahnen.© Dave Morgan. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Ahnen – London

Expecting the unexpected comes with the territory of any production by Tanztheater Wuppertal Pina Bausch and so even unplanned events can seem to be part of the show.

Tanztheater Wuppertal Pina Bausch in Ahnen.© Dave Morgan. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Ahnen

Gallery by Dave Morgan…

Tanztheater Wuppertal Pina Bausch in Auf dem Gebirge hat man ein Geschrei gehört.© Foteini Christofilopoulou. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Auf dem Gebirge hat man ein Geschrei gehört – London

Auf dem Gebirge comes from her gloomy period, when she was more concerned with the imagery her performers could dig out of themselves than with their abilities as dancers.

Tanztheater Wuppertal Pina Bausch in Auf dem Gebirge hat man ein Geschrei gehört.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – Tanztheater Wuppertal Pina Bausch in Auf dem Gebirge hat man ein Geschrei gehört

Gallery by Foteini Christofilopoulou…

Nazareth Panadero in Pina Bausch's Kontakthof.© Julieta Cevantes. (Click image for larger version)

Tanztheater Wuppertal Pina Bausch – Kontakthof – New York

Herein lies one of the more unfortunate traits of Kontakthof: there is more madness than dancing…

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