★★★★✰ I had missed SFB’s London season at Sadler’s Wells in 2019, so was pleased to catch up with ballets brought together for this digital triple bill.
Tag - Taras Domitro
San Francisco exists in its own world, out here on the distant West Coast. The San Francisco Ballet, though, just became more global than ever, with new 2017-18 members joining from around the world. The company school, which presented its annual Student Showcase 31 May through 2 June at YBCA Theater, draws international students as well...
★★★✰✰ Yet for all its narrative surprises and witty designs, this Cinderella is a curiously underwhelming work when it comes to the choreography.
★★★★✰ "....that is what is marvelous about Forsythe's Pas/Parts. Would that more choreographers would offer that kind of brisk and bracing slap in the face."
★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia ...Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.
José Manuel Carreño on being a great Cuban dancer, now director of Silicon Valley Ballet, and the strong relations developing between the USA and Cuba and what that means for ballet.
Program 3 features Hans van Manen's Variations for Two Couples, William Forsythe's The Vertiginous Thrill of Exactitude, Manifesto by Myles Thatcher and “The Kingdom of the Shades” from La Bayadère.
The SF Ballet premiere of choreographer-in-residence Yuri Possokhov's pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan...
The best all-round piece of the evening is Hans van Manen’s Variations for Two Couples, from the exquisitely concise choreography by this still-relevant master...
This was an evening not to be missed. Newly appointed Artistic Director, José Manuel Carreño, made sure that the quality of the eighteen guest artists for Ballet San Jose’s Gala Performance would tantalise even the most skeptical dance fan.
Christopher Wheeldon's new Cinderella for San Francisco Ballet is spied in 2 more casts by Aimée Tsao. Some nice dancing but still rather an OTT Broadway-style extravaganza.
If extravagant productions are the way to bring in new audiences and fill the till then they are justified for those reasons alone. However, they don’t necessarily leave a rich legacy for future generations.
Program 7 made me think a lot about this tricky issue of programming because this bill is a weird sandwich made with a delectable gourmet filling between slices of bland Wonder bread.
The highlight of the program is Lorena Feijóo's return to the stage in more than one ballet during the evening. After being out on maternity leave for a year ...is dancing better than ever.
Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.
Kochetkova and Domitro, together and separately, dance extraordinarily well. They don’t have the elusive chemistry that she has with Boada, but they still are very much in tune with each other, both musically and artistically, and make a very satisfying partnership.
The sixty-five-year-old The Four Temperaments is now a senior citizen, but not even close to retiring...