"Teresa Reichlen" tag
New York City Ballet in Justin Peck’s Rotunda.© Erin Baiano. (Click image for larger version)

New York City Ballet – Classic NYCB II bill with new Justin Peck – New York

★★★✰✰   In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck…

Adrian Danchig-Waring, Jovani Furlan, Teresa Reichlen in Robbins’ Concertino.© Erin Baiano. (Click image for larger version)

New York City Ballet – Classic NYCB I including Haieff Divertimento & Episodes – New York

★★★★✰   The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.

Teresa Reichlen and Ask la Cour in Balanchine’s Firebird.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine: Allegro Brillante, La Source, Firebird – New York

★★★★✰   How is the company looking? …the company looks good so far.

Lauren Lovette and Joseph Gordon in George Balanchine’s Stravinsky Violin Concerto.© Erin Baiano. (Click image for larger version)

New York City Ballet – Stravinsky & Balanchine bill – New York

★★★★✰   New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.

Georgina Pazcoguin and Company in Lauren Lovette’s The Shaded Line.© Erin Baiano. (Click image for larger version)

New York City Ballet – Fall Fashion Gala with The Shaded Line, Lineage, Symphony in C – New York

★★★✰✰   Kudos to Lovette for really going out on a limb… The Shaded Line feels truly her own, and it’s clear that she has much to say about her chosen profession…

Sara Mearns and Daniel Ulbricht in George Balanchine’s Variations Pour Une Porte et Un Soupir.© Erin Baiano. (Click image for larger version)

New York City Ballet – Balanchine + Wheeldon bill & Jewels – New York

★★★★✰   It makes a noticeable difference when Litton, music director of the company, is in the pit; the orchestra has presence and sings, providing a convincing counterpart for the dancing.

Sterling Hyltin and Gonzalo Garcia in Jerome Robbins’ Opus 19/The Dreamer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Balanchine, Robbins & Reisen quad bill – Washington

★★★✰✰   Opus 19 feels at once nostalgic, mysterious and dreamy…

New York City Ballet in Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York

★★★✰✰   Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.

Gonzalo Garcia in Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, Orpheus, Agon – New York

★★★★✰   Nothing revives a repertory like new casting. So we can be grateful to the interim leadership at New York City Ballet for reconsidering who gets to dance some of the company’s most elemental repertory: Agon, Apollo, Serenade.

Taylor Stanley in Kyle Abraham’s The Runaway, in costumes by Giles Deacon.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: The Exchange, Judah, The Runaway – New York

★★★✰✰   No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Adrian Danchig-Waring, Tiler Peck and Ashly Isaacs in George Balanchine’s Apollo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine No. 1 & 2, 21st Century Choreographers bills – New York

★★★★✰   After much tumult over the holidays, New York City Ballet has begun its first post-Peter Martins season. If you’re just catching up, the company’s “ballet master in chief” – ie artistic director – of over thirty years retired on New Years Day, in the midst of an investigation into allegations of physical abuse and sexual harassment.

Paris Opera Ballet in Emeralds.© Agathe Poupeney. (Click image for larger version)Jewels, choreography by George Balanchine, ©The George Balanchine Trust.

Paris Opera Ballet, New York City Ballet, Bolshoi Ballet – Jewels – New York, Lincoln Center Festival

★★★★✰   It’s not often that one gets to see three such companies side by side, or to experience a work as familiar as Jewels with new eyes…

Tiler Peck and the company in The Times Are Racing.© Paul Kolnik. (Click image for larger version)

New York City Ballet – American Rhapsody, The Four Temperaments, The Times Are Racing – Washington

★★★✰✰   To watch works created by the 29-year old Justin Peck, resident choreographer of New York City Ballet, is to experience what it feels like to be young.

Taylor Stanley in In Creases.© Paul Kolnik. (Click image for larger version)

New York City Ballet – HERE/NOW Festival, Justin Peck Quad bill – New York

★★★✰✰   Justin Peck is the it-boy at New York City Ballet, and it’s not hard to see why. At only 29, he has racked up an impressive number of ballets…

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

Sterling Hyltin and Amar Ramasar in Symphony in Three Movements.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Apollo, The Four Temperaments, Duo Concertant, Symphony in Three Movements – Paris

★★★★✰   The pleasure, above all, in watching this company is their fearless super-charge of energy and their commitment as the inheritors of Balanchine’s ballets.

New York City Ballet in Serenade.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Serenade, Hallelujah Junction, Duo Concertant, Western Symphony – New York

★★★★✰   Balanchine himself once said that Serenade is “many things to many people.” If it is one thing to City Ballet, it is the single ballet which they are expected to do perfectly every time.

New York City Ballet in Vienna Waltzes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Ballo della Regina, Kammermusik No. 2, Vienna Waltzes – New York

★★★★✰   Vienna Waltzes is a sure-fire hit. It seduces on many fronts: the ridiculously flattering gowns by Karinska (her last for the company), the sumptuous music, the multitudes of dancers…

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