Claudia Bauer is a freelance writer and lifelong bunhead in the San Francisco Bay Area. Her writing has appeared in Dance Magazine, Pointe Magazine, the San Francisco Chronicle, Critical Dance and SF/Arts Monthly. She tweets every so often at @speakingofdance.
Under are the articles written for DanceTabs.
San Francisco Ballet – Trio, Ghost in the Machine (premiere), Within the Golden Hour – San Francisco
★★★✰✰ Myles Thatcher is an inventive young talent…
★★★✰✰ Be careful what you wish for. The Boy in Alexei Ratmansky’s Whipped Cream wishes for unlimited sweets; overfulfillment sends him to the hospital with sugar hallucinations.
★★★✰✰ The soloists and principals of San Francisco Ballet brought unique interpretations to George Balanchine classics for the company’s fourth program of the season, a varied survey of Balanchine’s oeuvre.
★★★✰✰ It was a dark and stormy night – San Francisco Ballet couldn’t have designed a more apt and ominous atmosphere for the opening of Liam Scarlett’s Frankenstein.
★★✰✰✰ There is a saying in the film industry that you’re only as good as your last movie. Luckily, choreographer Ohad Naharin is better than his Last Work.
★★★✰✰ Available Light is merciless, and in the best way…
★★✰✰✰ The trouble with Program 2 is its centerpiece, choreographer-in-residence Yuri Possokhov’s new work ‘Optimistic Tragedy’.
★★★✰✰ Evaluating works in progress is a peculiar exercise. Without knowing what parts of a dance are complete or still conceptual, or where they fit within the context of a larger yet to be created piece a review is a guessing game.
★★★★✰ On Saturday, Nov. 19, at Segerstrom Hall, Southern California audiences experienced our era’s ultimate executor of Le Corsaire’s balletic thrills, Ivan Vasiliev…
Funsch Dance Experience – Le grand spectacle de l’effort et de l’artifice (premiere) – San Francisco
★★★★✰ The work reflects Funsch at her razor-sharp best: rigorous and searingly self-discilplined in design, grounded and emotionally present in performance.
★★★✰✰ As her opening salvo on these shores, Alone Together introduced Garance Marneur as an artist of exceptional skill and polish, to a level that’s unexpected…
Celebrate Forsythe – Pas/Parts 2016, The Vertiginous Thrill of Exactitude, Artifact Suite – Los Angeles
★★★★✰ San Francisco Ballet, Pacific Northwest Ballet and Houston Ballet have come together in LA to celebrate William Forsythe probably the most influential ballet choreographer of his generation. Claudia Bauer reports on a fine night…
★★★✰✰ Where Morris succeeded beautifully was in melding Eastern dance styles into his balletic modern vocabulary in deep torso bends, dervish whirls and arms extended beyond his already expansive port de bras.
★★★★✰ Sixteen choreographers, 13 new works, 2 dancers, 70 minutes, 4 years in the making. That’s the equation for Double Exposure, premiered by the San Francisco contemporary-dance duo RAWdance on Thursday, July 28. It’s an epic production that is greater than the sum of its parts.
★★★✰✰ With this first season, Sofranko has proved himself a good curator of choreographic and dance talent, with a preference for loveliness in movement and movers.
★★★✰✰ What is the purpose of an artist’s manifesto? When does a defined creative vision ossify into a rigid, limiting doctrine?
★★★★✰ Created in 2010 for the National Ballet of Canada, this production of the late John Cranko’s 1965 ballet was a smash here in 2012; it was reprised in 2013 and it’s wonderful to have it back again so soon.