Reviews
Julie Kent in A Month in the Country.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – A Month in the Country premiere and bill – New York

Has there ever been a more sensitive, sympathetic chronicler of that inner flutter brought on by the onset of love than Frederick Ashton? It seems unlikely, on the evidence of ABT’s premiere of A Month in the Country…

Studio picture of Kirven James Boyd and Rachael McLaren.© Andrew Eccles. (Click image for larger version)

Alvin Ailey American Dance Theater – Minus 16 quad bill – Boston

The whole thing (Minus 16) wasn’t a piece of choreography so much as a choreographed event, and hands down one of the most delightful things I’ve ever seen.

Misa Kuranaga and Boyko Dossev in George Balanchine's Coppélia © The George Balanchine Trust.© Rosalie O'Connor. (Click image for larger version)

Boston Ballet – Coppélia – Boston

Boston audiences were very lucky in their first two Swanildas. Opening night, Misa Kuranaga was a vision of loveliness…

Eifman Ballet in Rodin.© Gene Schiavone and courtesy of Eifman Ballet. (Click image for larger version)

Eifman Ballet – Rodin – San Francisco

The choreography looks like a steroid-fueled hybrid of Graham-based agony and the precision and fluidity of classical ballet. …nothing succeeds like excess…

Sylvie Guillem in Mats Ek's Bye. © Bill Cooper. (Click image for larger version)

Sylvie Guillem – 6000 Miles Away – London

At the end of Bye, a man nearby leapt to his feet and shouted “awesome”. She sure is.

Sona Kharatian and Jared Nelson in Hemingway: The Sun Also Rises.© Brianne Bland. (Click image for larger version)

Washington Ballet – Hemingway: The Sun Also Rises – Washington

…Webre saves the best for last. …watching the bare-knuckle boxing brawl in the end of the ballet, instigated by the disgruntled Robert Cohn, is worth the price of admission alone.

© Dance Open

International Ballet Festival 2013 – Dance Open – St Petersburg

The 12th International Ballet Festival – Dance Open – was held over 4 days in St Petersburg. Margaret Willis (our Ms Expressivity) was there to report on much ballet and not a little award giving…

Julie Kent and Roberto Bolle in Marcelo Gomes' Apothéose.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

Symphony in C, a luminous outpouring of legs and arms, crisp geometries, bobbing rhythms, and articulate patter-like conversations for the feet, is a vivid reminder of why one goes to the ballet at all. Luminosity and classical logic, laced with wit and intelligence.

Tobias Batley (Jay Gatsby) and Martha Leebolt (Daisy Buchanan) in The Great Gatsby.© Bill Cooper. (Click image for larger version)

Northern Ballet – The Great Gatsby – London

The ballet succeeds most in its incidental scenes – though everything is presented fortissimo. Most clever is the way in which Nixon depicts Myrtle and George Wilson …The performances of Benjamin Mitchell and Victoria Sibson were the strongest of the evening.

Irina Dvorovenko in "Slaughter on Tenth Avenue", On Your Toes.© Joan Marcus. (Click image for larger version)

City Center – On Your Toes – New York

Along the way, the show strings together some memorably ravishing songs and knock-out dance numbers while having fun…

Jane Rehm and Jonathan Dummar in Petal by Helen Pickett.© Keith Sutter. (Click image for larger version)

Smuin Ballet – Chants d’Auvergne, Petal, Jazzin’ – San Francisco

The Smuin Ballet’s current season, Spring Bouquet, has one remarkable flower at its center. The ballet’s title, Petal, hardly does it justice in this metaphor since the work is far beyond the sum of its botanical parts.

Ida Praetorius as Eleonore in Kermessen in Bruges, with Louise Ostergaard, Josee Bowman and Fernando Mora.© Costin Radu. (Click image for larger version) cr Kermessen

Royal Danish Ballet – La Ventana, Kermesse in Bruges – Copenhagen

In fact delight was the keynote of the whole evening …I was very happy to see the whole company reclaiming their ‘joy in dancing’, the Bournonville essence which is fundamentally what keeps these old ballets alive.

Jeffrey Cirio in Wayne McGregor’s Chroma.© Gene Schiavone. (Click image for larger version)

Boston Ballet – Chroma, Serenade, Symphony in C – Boston

Chroma: Perhaps it’s meant as a kind of sherbet to clear the palate between the Balanchine pieces… In short, I found the ballet dazzling but soulless.

Tiler Peck and Robert Fairchild in Christopher Wheeldon's A Place for Us.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Spring Gala with Wheeldon premiere – New York

But ‘A Place for Us’ (new Wheeldon) feels like a bauble, not quite a jewel.

Leane Cope and Steven McRae in Liam Scarlett's Hansel and Gretel.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Hansel and Gretel – London

It is a mixed experience: too long and overworked in places, a dark vision, unevenly realised, with some striking and chilling moments.

San Francisco Ballet in Wheeldon's Cinderella.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Cinderella (another look with different casts) – San Francisco

Christopher Wheeldon’s new Cinderella for San Francisco Ballet is spied in 2 more casts by Aimée Tsao. Some nice dancing but still rather an OTT Broadway-style extravaganza.

Sarah Richards in Some Like it Hip-Hop.© Dave Morgan. (Click image for larger version)

ZooNation – Some Like It Hip Hop – London

The title of Kate Prince’s latest extravaganza is way too modest. On the basis of the universal adulation pouring from this audience, not just at the end but throughout the show, it would appear that EVERYONE likes it hip hop.

© Breakin' Convention

Breakin’ Convention – Day 1, 4 May 2013 – London

…the crowds – from the six-year-old toprocking on stage for a prize t-shirt to the octogenarian gentleman seated next to me in polite raptures – were most definitely entertained.

Araminta Wraith & Shevelle Dynott in Tamarin Stott's Work in Progress.© Arnaud Stephenson. (Click image for larger version)

English National Ballet – Choreographics – A Letter to… – London

I hope ENB do lots more short and sweet choreographic initiatives to real audiences. Well done all, great to have a go – now do more.

Maria Shirinkina & Vladimir Shklyarov in Giselle.© Natasha Razina. (Click image for larger version)

Mariinsky Ballet – Giselle (Shirinkina and Shklyarov) – St. Petersburg

A delightful production, on this occasion, there was the added excitement that the two principals, Maria Shirinkina and Vladimir Shklyarov, husband and wife, were performing the ballet together for the first time.

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