"Purcell" tag
Choreographer Lauren Lovette working with Ashley Bouder on Red Spotted Purple.© Gibney/Ashley Bouder - from Instagram original.

Ashley Bouder Project – Red Spotted Purple, Duet, Alas, Symbiotic Twin, In Pursuit Of – New York

★★★✰✰   Bouder’s pick-up ensemble of eight, which she refers to as an arts collaborative, reflects her ideals. It is racially diverse; the choreographers include both men and women. Not all the choreographers are white. This should be par for the course, but it’s not.

Publicty image for Watts Dance's WLA No.657005.© Cecilia Watts. (Click image for larger version)

Watts Dance, John Livingston Dance, Alice Weber and Ben Saffer – Place Resolution 2017

★★★✰✰   The one thing you can be assured of when you step over the threshold of the Place’s Resolution season is surprise.

Brandon Lawrence in Wink.© Andy Ross. (Click image for larger version)

Birmingham Royal Ballet – Wink, The Moor’s Pavane, The Shakespeare Suite – Birmingham

★★★✰✰   Jessica Lang’s Wink is an attractive piece, well designed and well made with a clear structure.

BOD.Y in BAKKHEIA - dancing on the edge.© Peter Snadik. (Click image for larger version)

Aerowaves – Spring Forward Festival of Contemporary Dance – Barcelona

Spring Forward is a three-day festival of contemporary dance, presented by Aerowaves, which confidently declares itself to be a ‘hub for dance discovery in Europe’…

Marianela Nunez and Thiago Soares in Diamonds.© ROH/Tristram Kenton, 2011. (Click image for larger version)

Royal Ballet, Royal Opera House – A Gala Celebration: Life Reimagined – London

Both Royal Ballet premieres, one by Kim Brandstrup, the other by Liam Scarlett, were surely keepers, bound to be seen again.

Detail from the book cover of Constant Lambert - Beyond The Rio Grande.© Boydell & Brewer. (Click image for full version of cover)

Book – Constant Lambert, Beyond The Rio Grande – by Stephen Lloyd

Lloyd has written widely on English composers and is meticulous in combing together many fragmentary impressions of Lambert. The book weighs over 1.5 kilos, 419 pages of small print, most heavily annotated in smaller print still, with a further 150 pages of appendices.

Isaac Mizrahi designs for Acis and Galatea.© Isaac Mizrahi. (Click image for larger version)

Mark Morris Dance Group – Acis and Galatea – New York

As he has shown again and again, the choreographer Mark Morris has a way with Baroque music. He clearly adores it…

Mark Morris Dance Group in Socrates.© Gene Schiavone. (Click image for larger version)

Mark Morris Dance Group – Programme A: The Muir, Crosswalk, Socrates – London

Who knew that Beethoven composed his own cover version of ‘Sally in our Alley’? Mark Morris, obviously: the (English) song is the centrepiece of The Muir…

Aoi Nakamura, Christine Gouzelis, Mafalda Deville and Paul Blackman in Justitia.© Foteini Christofilopoulou. (Click image for larger version)

Jasmin Vardimon Company – Justitia – London

A major triumph throughout the work is a seamless integration of dance with all other theatrical elements.

Mark Morris Dance Group – Dido and Aeneas – New York

It is something of a cliché to say it, but the guiding principle of Morris’s Dido – as in the more recent Socrates – is simplicity. No single element – musc, words, dance – is privileged above the others.

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