Bolshoi Ballet – Jewels: Emeralds, Rubies, Diamonds – Brisbane

Alyona Kovalyova and Jacopo Tissi in Diamonds.© Darren Thomas. (Click image for larger version)

Alyona Kovalyova and Jacopo Tissi in Diamonds.
© Darren Thomas. (Click image for larger version)

Bolshoi Ballet
Jewels: Emeralds, Rubies, Diamonds

★★★★★
Brisbane, Queensland Performing Arts Centre
29, 30 June 2019
www.bolshoi.ru
www.qpac.com.au

When Makhar Vaziev became the Bolshoi Ballet’s director in 2016 he offered Alena Kovaleva*, a teenage graduate of St. Petersburg’s Vaganova Academy, a contract in the Bolshoi’s corps de ballet.

Within three weeks she was rehearsing one of the most beautiful pas de deux in the company’s repertoire as one of the leading couples in Diamonds, the third piece in Balanchine’s triptych, Jewels.

A year later she danced the role in the 50th anniversary production of Jewels at New York’s Lincoln Center.

The critics raved, describing her as “a magical new creature” who, at the curtain call, had “a wild and heartfelt ovation”.
 

Alyona Kovalyova and Jacopo Tissi in Diamonds.© Darren Thomas. (Click image for larger version)

Alyona Kovalyova and Jacopo Tissi in Diamonds.
© Darren Thomas. (Click image for larger version)

In Brisbane we were expecting Olga Smirnova would perform the role on the opening night of Jewels at the Queensland Performing Arts Centre in Brisbane where the Bolshoi is in residence for 11 days.

Instead, Kovaleva, the now 20-year-old Bolshoi first soloist, stepped onto the stage with Jacopo Tissi, another very talented young dancer who joined the Bolshoi two years ago.

Their ‘love me, love me not’ pas de deux was both thrilling and memorable and seemed to acknowledge Vaziev’s focus on younger dancers.

Smirnova, whose partner, Semyon Chudin, could not come to Australia, was partnered by Artemy Belyakov on the following day.

Watching Smirnova’s perfection, her long lines, beautiful port de bras and exactitude in Diamonds was one of those magical moments in the theatre.

As you would expect Diamonds was the highlight of the three part Jewels.
 

Ekaterina Krysanova in Artem Ovcharenko <I>Rubies</I>.<br />© Darren Thomas. (Click image for larger version)

Ekaterina Krysanova in Artem Ovcharenko Rubies.
© Darren Thomas. (Click image for larger version)

The choreography, danced to Tchaikovsky’s Symphony No.3 in D major, represents the classical ballets Balanchine knew as a young man in St. Petersburg but also relates to his Tchaikovsky ballets, among them Theme and Variations.

Both Theme and Variations and Diamonds end with an uplifting polonaise that brings the audience to their feet for numerous curtain calls.

With its ruby red sparkling panels and skater-like dresses for the women, Rubies was an audience pleaser, but the Bolshoi dancers don’t have that “all that jazz” of the Americans, with the exception of the leading couples, Ekaterina Krysanova and Artem Ovcharenko on opening night and Margarita Shrayner and David Motta Soares the following day.
 

Anastasia Denisova and David Motta Soares in <I>Emeralds</I>.<br />© Darren Thomas. (Click image for larger version)

Anastasia Denisova and David Motta Soares in Emeralds.
© Darren Thomas. (Click image for larger version)

Emeralds, Rubies and Diamonds all share a thread of walking and sometimes skipping with Emeralds more airborne and Rubies more grounded. Diamonds is lit from within by the simple design of the dark blue sky scattered with stars and the elegant tutus with their transparent bodice top, the most charming costume in Jewels by the designer Elena Zaytseva.

One of the heroes of the season was the Bolshoi’s conductor, Pavel Sorokin, who is conducting the Queensland Symphony Orchestra for every performance from 26 June to 7 July.

* Russian spelling Alyona Kovalyova
 
 

About author
Work for DanceTabs
Reviews on Balletco

Valerie Lawson is an author and journalist who lives in Sydney, Australia. She is a former arts editor of The Sydney Morning Herald and, from 1990 to 2009, the Herald’s dance writer. Valerie was dance critic for The Australian Financial Review, 1994-2002, and has edited many sections of the Herald including the weekend colour magazine. As a freelance writer, she is a contributor to balletco, The Australian, The Sydney Morning Herald, and Dance Australia. She holds a Teaching Diploma from the Royal Academy of Dance and graduated B. Phil. (Hons.) in Ballet and Contextual Studies, from the University of Durham, 2002. Valerie is the author of three books, has recently launched her own website, www.dancelines.com.au and is now writing a history of dance in Australia.

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