★★★★✰ This was much more than my expectation of an update to Broken Wings. Part prequel, part sequel; it now stands proudly alone as an excellent new addition to the Dutch ballet repertoire.
Archive - February 2020
Trey McIntyre talks to Claudia Bauer about creating "The Big Hunger" for San Francisco Ballet - to some particularly devilish Prokofiev it explores the little and big hungers of life and is premiered this week, on 13 February 2020.
★★★★✰ The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.
★★★★✰ ...undoubtedly one of the most visually stunning and dramatically meaningful Beauties you will ever find.
Gallery by Foteini Christofilopoulou...
★★✰✰✰ At times the striking images and lithe, hyper-flexible dancers are enough to seduce the eye. But Cāo Sem Plumas is a frustrating piece, in which the live dancing is overshadowed by film...
Cathy Marston on The Cellist & Mrs. Robinson – new works for The Royal Ballet & San Francisco Ballet
In the next two months Cathy Marston has premieres at The Royal Ballet (17 February) and San Francisco Ballet (24 March) - Jann Parry talks to Marston about the inspiration and making of two special works...
★★★✰✰ Doycheva's first project explores a complex topic – the long-lasting trauma of gender-based physical violence.
★★★✰✰ Hats in the air for these five guys from France for coming up with something new, which requires nothing but their own ability to dodge things and stay alive!
★★★★✰ The annual Icons gala provides the chance to see dancers who don't often appear in London...
★★★★✰ There was always something new around the corner, a surprising shape, a witty step, an unlikely transition. It’s clear that Ratmansky felt liberated by the unusual structure and soundscape...
★★★★✰ How is the company looking? ...the company looks good so far.
★★★✰✰ The Vertiginous Thrill of Exactitude, the opening dance of the first program, is Forsythe burrowing into the neoclassical cannon and a nod to the style and traditions of George Balanchine.