You certainly don’t have to be Spanish to enjoy Carlos Pons Guerra’s fascinating triple bill of dance theatre, themed with inter-woven strands of flexible gender identity, anti-fascism, Catholicism, ballet legends and a succulent pork leg.
Author - Graham Watts
Dance Writer/Critic. Member of the Critics' Circle, Chairman of the Dance Section and National Dance Awards Committee. Writes for leading dance magazines & websites - in UK, Europe, USA, Japan & cyberspace. Graham is based in London.
Paradise describes both the Garden of Eden and Heaven. It can also mean a park in which animals are kept or a state of supreme bliss.
We all reminisce about the good old days; but, if you’re old enough, you may actually remember "The Good Old Days"...
While other Cherkaoui collaborations have generally crossed boundaries to link contemporary movement with the borrowed style, in Genesis there appears to be a multiplicity of influences.
Wendy Houstoun is an artist who keeps the great British tradition of anarchic physical theatre alive, if but barely kicking.
Graham Watts talks to an ex-RB Soloist doing well as a Principal at Romanian National Ballet...
Ballet Estable del Teatro Colon, Buenos Aires recently lived streamed Ashton's "Sylvia" from their home theatre. Graham Watts tuned in from a remote North Norfolk - it's a small world...
It is almost eight years to the day since The Car Man was last revived at Sadler’s Wells (having premiered in 2000) and it seems even better than I recall...
Kateryna (Katja) Khaniukova, who has been dancing with English National Ballet these last 15 months, returned home to the company where she was a much loved principal dancer - Kiev Ballet. Graham Watts reports on the night and ballet in a country at war...
In the genealogy of dance, kathak and flamenco share common ancestry.
The dancing was never short of extraordinary. The opening part showcased the cerebral seriousness of the Solea...
The most impressive (if not, incredible) thing is that his scratch company exudes the professionalism that one would expect from a tight-knit group that has lived, trained, rehearsed and performed together for seasons.
Coup Fatal is an impossible-to-categorise music concert in which dance is but an energetic embellishment to the music in much the same way as dancers enliven a Kylie concert...
Clark has spent two years on his “happiness project”, working with a psychoanalyst amongst others to investigate the causes and manifestations of happiness but...
Johan Kobborg took over as Director of Bucharest National Ballet just over a year ago. Time for Graham Watts to go and see how they are looking - in two very different bills...
What you get with the Jasmin Vardimon brand is an intense physical approach to dance and the JV2 dancers have assimilated this physicality with gusto.
Spring Forward is a three-day festival of contemporary dance, presented by Aerowaves, which confidently declares itself to be a ‘hub for dance discovery in Europe’...
Expecting the unexpected comes with the territory of any production by Tanztheater Wuppertal Pina Bausch and so even unplanned events can seem to be part of the show.
Beauty of the Beast – surely a contender for cleverest title of the year – is a fascinating study of how male behaviour evolves through the processes of their interaction.
David Nixon must be able to lay claim to being the most prolific creator of full-length narrative ballets at work today...





