★★★★★ This collaboration between choreographer William Forsythe and New York City Ballet dancer Tiler Peck is the best-conceived dance film streamed during current Covid-19 constraints.
Reviews of Dance and Ballet Performances
★★★✰✰ The pandemic meant that the company’s home theatre will have to wait its turn before hosting The Three Sections, which instead premiered on a triangle of Zoom screens...
★★★★✰ The live taping of four works by ABT’s resident choreographer Alexei Ratmansky is viewable during a generous streaming window through 18 April for $25, and includes the new quarantine creation, Bernstein in a Bubble...
★★★★✰ George Balanchine's "Stravinsky Violin Concerto" has just been streamed by NYCB - Jann Parry on a complex and effervesent masterwork, if Balanchine stated that it was simply his response to Stravinsky’s music...
★★★✰✰ All three pieces (by Alexei Ratmansky, Danielle Rowe and Yuri Possokhov) were strong, though the program itself felt a bit curious.
★★★★✰ Balanchine's "Prodigal Son", staring Daniel Ulbricht and Teresa Reichlen, has just been streamed by NYCB - Jann Parry, who also watched the recent Inside NYCB coaching video of 'Prodigal', puts an important work in context...
★★★★✰ After nearly a year away from dancing for live audiences Australian Ballet are back with a gala - Summertime at the Ballet - and at an unusual location, the Margaret Court Arena in Melbourne.
★★★★✰ A double bill featuring world premieres from Hofesh Shechter (From England With Love) and Marne & Imre van Opstal (Baby don’t hurt me)
★★★★★ Program 02, with works by Dwight Rhoden, Myles Thatcher and Mark Morris, more than lived up to my expectations. There was drama, joy, whimsy. A great night at the ballet, viewed from home of course.
★★★✰✰ Five years on, it’s amusing to see what strange new resonances there are in Luca Silvestrini’s song-and-dance drama about our conflicted relationship with food.
★★★★✰ In a touching and inspiring weekend of audio works, panel discussions, films, a Zoom workshop and live performance, dance artists respond to how we care for each other. The Place’s mini-digital festival is a timely reconsideration of care following the year we’ve just had. Has the pandemic made us more caring or less?
★★★★★ "Thank you, Sarasota Ballet, and Michael Trusnovec, licensee of Paul Taylor’s works, for making two of his lovely pieces available to a virtual audience bereft of live performances."
★★★★✰ Glitter, the first evening-length show by Antonin Rioche is a story of dreams, of the love that supports them... all told with depth and humour.
★★★✰✰ Episode Three of Dancing Nation contains works by Matsena Productions (Anthony & Kel Matsena), Kenneth Tindall for Northern Ballet, Shobana Jeyasingh, and Marion Motin for Rambert.
★★✰✰✰ Episode Two of Dancing Nation contains works by Humanhood (Júlia Robert and Rudi Cole), Botis Seva for Far From the Norm, Will Tuckett for Birmingham Royal Ballet, Oona Doherty, Boy Blue and Akram Khan with Natalia Osipova (for which ★★★★★).
★★★✰✰ Episode One of Dancing Nation contains works by Matthew Bourne for New Adventures, Yasmeen Godder for Candoco Dance Company, Breakin' Convention - curated by Jonzi D, Humanhood (Júlia Robert and Rudi Cole) and Stina Quagebeur for English National Ballet.
★★★★✰ San Francisco Ballet has elected to bring a recently filmed version of the ballet to its audiences as the first program of 2021. And what a lovely way to kick off the digital season!
★★★★✰ Kyle Abraham has created a short 4 minute video work for the National Sawdust FERUS Festival - it's composed from a much longer work to be premiered later in the year. Susanna Sloat finds it "very handsome and pleasing..."
★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
★★★★★ One of many striking things about Marcia Haydée’s production of The Sleeping Beauty is that although it premiered on 10 May 1987, it still looks fresh and current and could have been created within the last couple of years.