★★★✰✰ Russell Maliphant's 12-minute contribution to English National Ballet's digital season is a mass of contradictions. ...The result is familiar if you know Maliphant's work, but must be mesmerising for viewers who've never seen dancers appear as evanescent as fireflies.
Reviews
Reviews of Dance and Ballet Performances
★★★★★ That BRB managed to get this on at all is a small miracle - and the undiminished determination with which the dancers attack their work inspires passion in us all.
★★★★✰ Yuri Possokhov's contribution to ENB's digital season is based on the novel Life and Fate by Vasily Grossman – a War and Peace about the Soviet Union during World War II
★★★★✰ This is very much a film: though it is based on an earlier Sidi Larbi Cherkaoui work 'When I’m Laid in Earth', its dreamlike tone and unnerving effects owe much to Thomas James’s imaginative camerawork and his interest in the supernatural...
★★★★✰ Amy Pearl really connected with Yoann Bourgeois’ upside down dream world, if the livestream experience itself was not always so brilliant.
★★★★★ Scottish Ballet have come up with a delightfully life-affirming present to blow away the Covid blues this Christmas. It's not a film of an existing ballet, as we usually see at this time of year, but a ballet feature film - something made just for the camera and in which the camera is choreographed into the action. The result is a huge success...
★★★★✰ There's no reason to feel short-changed by the Royal Ballet's Covid-compliant Nutcracker. The magic of Tchaikovsky's music and the beauty of the dancing still enchant spectators of all ages.
★★★★✰ The streamed in-house recording of the premiere on 24 October 2020 features Ida Praetorius as the Sylph, Jon Axel Fransson as James and Kizzy Matiakis as the witch, Madge – her last role with the company.
★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
★★★✰✰ PNB kicked off their season in October with a gala that was the first performance on the McCaw Hall stage since February, a mixed programme that showcased an ensemble of excellent dancers in both classical and contemporary choreography...
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
★★★★✰ Never has the time felt so ripe for queer work to be celebrated and how fitting that Rubby Sucky Forge is the first performance to be presented live at The Place since lockdown.
★★★✰✰ Carlos Acosta, ten months in to his directorship of BRB, has provided it with a mixed bunch of shoots for a fresh start. Their first flowering may have been cut short by the closure of theatres but the company has already shown its resilience, and will do so again...
★★★✰✰ Program II of the Fall for Dance festival features premieres by Dormeshia and Kyle Abraham, plus excerpts of works by Balanchine and Lar Lubovitch...
Heather Desaulniers dips into the San Francisco Dance Film Festival and reviews three programmes: Merely Marvelous: The Dancing Genius of Gwen Verdon (★★★★✰), Dance Goes On (★★★✰✰) and Uprooted – The Journey of Jazz Dance (★★★★★)
★★★★✰ The Fall for Dance festival is an all digital affair this year and Program 1 included striking and heartfelt premieres by Jamar Roberts and Christopher Wheeldon...
★★★✰✰ This challenging 40-minute work is well worth perseverance since what at first seems a collection of random acts, builds together into a coherent enquiry into the process of being...
★★★★✰ Lost Dog’s short film, streamed for free by The Place Online was made at the beginning of lockdown and is a eulogy to live performance before the pandemic but also a rumination on life without human contact.
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
★★★★✰ As tentative steps continue to get the dance world back on its feet, the Lawrence Batley Theatre in Huddersfield has asked three companies to embrace the possibilities of lockdown with a trio of filmed works.