Now thirty-one Carla Korbes has grown up to become one of America’s most remarkable ballerinas. Her recent performance of Terpsichore’s duet with Apollo at the Guggenheim was one of the most touchingly natural and innately musical interpretations I’ve seen.
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N.Y. Export: Opus Jazz is certainly not Robbins’ finest or most original work but perhaps because of its relative straightforwardness, it reveals much about what is so remarkable about this choreographer.
Mara Galeazzi is retiring at the end of the season and Jonathan Watkins is leaving to go freelance...
By abstracting and generalising the emotions in Pushkin’s verse-novel, Colker has rendered her account of the story completely incoherent.
Closing the program is Kurt Jooss’s anti-war ballet from 1932,The Green Table, one of the greatest pieces of choreography ever created and still relevant after more than 80 years.
Oksana Khadarina talks to one of Alvin Ailey company's leading lights on the eve of her retirement...
The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.
An in-depth interview with the lady who helps bring Balanchine back...
It’s a good thing indeed when a visit to the ballet turns out to be a night full of surprises, all of them good.
Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.
Is there a ballet more deceptive than Balanchine’s Divertimento from ‘Le Baiser de la Fée’? If so, I’m not aware of it.
Pictures by Dave Morgan - more will be added over the next 24 hours
The Dance Section of the Critics’ Circle announced the winners of the 13th National Dance Awards at The Place on 28th January 2013.
Fallen, an exhilarating closer of the double bill, presents the company at its heart-stopping best.
What one does not see much of, at least at first glance, is nostalgia for the motherland. “I never had nostalgia about anything,” Baryshnikov says.
5 Questions for Liam Scarlett - catching up on new commissions, including BalletBoyz, Miami City Ballet and the new job...
On the eve of a UK tour 5 Les Ballets Trockadero de Monte Carlo ballerinas reveal all...
Cojocaru is as great a dance-actress in the final scene as any I’ve been privileged to see – and that includes Lynn Seymour, Natalia Makarova and Ekaterina Maximova.
36 pictures by Dave Morgan...
Which brings me to Ángel Muñoz who, with Peña, is the real star of the show. The two couldn’t be more different: Peña is all interiority and nuance, while Muñoz is all bluster and instinct.





