"Alice (in Wonderland)" tag
Arthur Pita.© courtesy of arthurpita.com. (Click image for larger version)

Interview: Arthur Pita on choreographing “Alice in Californiland” for AXIS Dance Company

Arthur Pita’s latest work is called “Alice in Californiland” for the Bay Area AXIS Dance Company – to be premiered later this week, on Friday 25 October, Claudia Bauer caught up with him to find out what its all about – a thought provoking collision of Lewis Carroll and homelessness…

Sarah Cecilia and David Calhoun in Another Time.© Matt Haber. (Click image for larger version)

Mark Foehringer Dance Project | SF – Like an Ox on the Roof quad bill – San Francisco

★★★✰✰   Foehringer’s ambitious mixed repertory program of three premieres (all with live music) and one restaging revealed a company with deep artistic breadth…

Miami City Ballet in The Nutcracker.© Lawrence K. Ho. (Click image for larger version)

Miami City Ballet – The Nutcracker – Los Angeles

★★★✰✰   The MCB dancers exude Balanchine brio and delight in performing his intricate steps, but they had to give their all to keep up with the youngsters.

Romany Pajdak, Grace Blundell, Chisato Katsura, Iana Salenko, Steven McRae and Gina Storm-Jensen in The Nutcracker.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

This Nutcracker production has the best conclusion of any…

Sylvie Guillem in Mats Ek's Bye. © Lesley Leslie-Spinks. (Click image for larger version)

Sylvie Guillem – A Life in Progress – London

Sylvie Guillem’s farewell programme at the Coliseum (following its modest Sadler’s Wells presentation in May) is a glorious spectacle in the largest theatre in London.

Septime Webre.© Dean Alexander, courtesy The Washington Ballet. (Click image for larger version)

Septime Webre – Artistic Director, Washington Ballet

We catch up with Septime Webre, choreographer and artistic director of Washington Ballet. So what makes him get up in the morning? Oksana Khadarina finds out…

Compagnie Philippe Genty in Forget Me Not.© Pascal Francois. (Click image for larger version)

Compagnie Philippe Genty – Forget Me Not (Ne M’Oublie Pas) – Grasse

These are not purely dance performances, but an imaginative and original mixture of dance, mime, marionettes, illusion, music, light and sound effects…

The Snowflakes in George Balanchine's The Nutcracker.© Paul Kolnik. (Click image for larger version)

The Nutcracker – from New York City Ballet, American Ballet Theatre and Gelsey Kirkland Ballet – New York

So far this season I’ve seen three “traditional” Nutcrackers: Ratmansky’s version for American Ballet Theatre, Gelsey Kirkland’s, and the familiar and much-loved 1954 staging by George Balanchine for New York City Ballet. All three have their charms…

A funny moment from Petrushka (violinist Lisa Kim).© Chris Lee. (Click image for larger version)

New York Philharmonic – A Dancer’s Dream: Le Baiser de la Fee, Excerpts from Neige, Petrushka – New York

…what joy to see a performance turn into a kind of rave, …to feel the music overflow the boundaries of convention and habit and feel, well, intensely alive.

Christopher Wheeldon rehearsing his new Cinderella.© Erik Tomasson. (Click image for larger version)

Christopher Wheeldon – Choreographer

Choreographer Christopher Wheeldon is currently at the San Francisco Ballet preparing for the American premiere of his Cinderella. He has a rehearsal in forty-five minutes so we quickly set off to discuss his latest full-length ballet and many other things…

Sergei Polunin in Narcisse.© Dave Morgan. (Click image for larger version)

2012 Dance Memories – London

Lynette Halewood with her personal selection of London dance memories this last year…

Sona Kharatian (The Queen of Hearts) in The Washington Ballet's Alice (in Wonderland). © Brianne Bland. (Click image for larger version)

Washington Ballet – Alice (in Wonderland) – Washington

With Alice, Septime Webre has a smash hit on his hands. The new ballet has broken all records for the ticket sales (all performances were sold out far in advance, including the standing tickets); and it is already the Washington Ballet’s most successful production to-date…

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