New York City Ballet – Hallelujah Junction, Judah, The Exchange, Concerto DSCH – New York
★★★✰✰ The vitality and drive of the troupe was palpable Wednesday night, as was a sense of collective energy to move forward – however rocky that movement might be.
Mark Morris Dance Group / Silkroad Ensemble – Layla and Majnun – London
★★★✰✰ Mark Morris’s Layla and Majnun is a music concert with dancing, lamenting a love that cannot be. It’s an age-old story, spread across continents and centuries.
Sarasota Ballet – Monotones I & II, Symphony of Sorrows, There Where She Loved – New York
★★✰✰✰ After viewing Ashton on a bill with works by Ricardo Graziano and Christopher Wheeldon, I’m not worried about Ashton’s relevance nor his resonance with a future audience. …Both the Graziano and Wheeldon posed some problems from what some might consider a “female” perspective.
New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York
★★★★✰ The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.
Australian Ballet – Murphy (Graeme Murphy tribute bill of 6 works) – Sydney
★★★✰✰ Within this potpourri of Graeme Murphy’s works, the highlight was “Grand”, a charming and poignant tribute he created in 2005 for his mother, a pianist, who died the previous year.
Royal Ballet – Bernstein Centenary: Yugen, The Age of Anxiety, Corybantic Games – London
★★★✰✰ Leonard Bernstein wrote (in 1949): “I have a deep suspicion that every work I write, for whatever medium, is really theatre music in some way.’ Many choreographers have taken up the challenge, though his quasi-metaphysical musings have usually eluded them: dance is more corporeal than music.
New Adventures – Matthew Bourne’s The Red Shoes – New York
★★★★✰ It’s always exciting to discover a new side of an artist. For this, and for an immensely entertaining show, we have to thank Matthew Bourne.
MacMillan Celebrations – Le Baiser de la fee (SB), Concerto (BRB), Jeux (RB) – London
In the first of the mixed bills celebrating Kenneth MacMillan’s ballets, 25 years after his death, “Le Baiser de la fée” intrigued me because the questions it posed about his development as a choreographer…
Bringing back Kenneth MacMillan’s Le Baiser de la fée – The Fairy’s Kiss
Scottish Ballet will be performing Kenneth MacMillan’s “Le Baiser de la fée” as part of the celebrations marking the 25th anniversary of his death. It will be the first revival of the ballet in 30 years – Jann Parry on the return of an important work.
American Ballet Theatre – Tchaikovsky Spectacular bills – New York
★★★✰✰ Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, …the complex history of a quartet of characters.
Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet
Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…
Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami
★★★★✰ The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.
Japan Society – 17th Contemporary Dance Showcase: Japan + East Asia – New York
★★★✰✰ Hosted by the Japan Society on the east side of midtown Manhattan, this year’s showcase concentrated on the theme of two: the dynamics of duos. Featuring works from Japan, Korea and Taiwan…
Ballet Nice Mediterranee – Grand Pas Classique from Raymonda, Gnawa, L’Arlesienne – Nice
★★★✰✰ The most interesting item of the programme was definitely the revival of Roland Petit’s L’Arlésienne, created in 1974 when he was director of the National Ballet of Marseille.
Australian Ballet – Nijinsky – Melbourne
★★★✰✰ Even after his death, Vaslav Nijinsky suffered from the power and control of others…
Dane Hurst – Choreographer, dancer and artistic director talking about Exodus, his latest Dulwich Picture Gallery show
Last year Dane Hurst conjured a magical night of dance at Dulwich Picture Gallery as a response to one of their exhibitions. Well he’s back, this year responding to Winifred Knights “The Deluge” with a night of dance called Exodus. We talk to him…
New York City Ballet – Ash, This Bitter Earth, The Infernal Machine, Jeux, Paz de la Jolla – New York
★★★✰✰ Handsome to look at, with its film-noir lighting and flattering black 1940’s style dresses (by Marc Happel), Jeux nevertheless proves to be rather thin…
Obituary: David Drew, Royal Ballet Principal, with the company 56 years
David Drew, for 56 years a member of The Royal Ballet, has died after a long battle with illness. He described himself as one of a ‘bridge generation’ of dancers. The longevity of his career meant that he worked with many figures from the Ballets Russees – but also taught many dancers and choreographers working today.
Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT
Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…
Sagraçamba: The Rite in Rio
Millicent Hodson and Kenneth Archer first put their reconstruction of “The Rite of Spring” on Rio de Janeiro Ballet in 1995. This year they went back to put it on again – this is what happened…
