★★★✰✰ The Joffrey Ballet brought a program of four diverse works. Peck’s Times was a hit as was Christopher Wheeldon’s Commedia. The other two works weren’t misses per se...
Tag - Cal Performances
★★★★✰ the Mariinsky’s production was a welcome ravishment of vibrant costumes, shimmering jewels, romantic storytelling and sheer entertainment...
★★★★✰ Mozart Dances goes far beyond a basic choreographic rendering of the score, instead inviting an active dialogue between disciplines.
★★★★✰ Yes, the narrative has its inherent challenges, but the choreography, performances and design all riveted with drama, intensity and humour.
★★★★✰ I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.
★★★★✰ In English, körper means ‘body’, and so, as one might guess, the ninety-minute tour de force, directed and choreographed by Sasha Waltz, turns its eye to the body in space.
★★✰✰✰ Cal Performances patrons were clearly entertained on Friday evening. I, too, wanted to like the piece, but it didn’t really resonate with me.
★★★★★ The house was abuzz on Friday evening for the opening performance of Mark Morris Dance Group’s The Hard Nut. It’s been five years since Cal Performances hosted the production, and clearly fans had been anxiously awaiting its reappearance.
★★★★★ Dorrance Dance is received with such universal enthusiasm and love that reviewing them feels like an exercise in redundancy, like piling on to a scrum that’s already 30 players deep.
★★★✰✰ Available Light is merciless, and in the best way...
★★★✰✰ Where Morris succeeded beautifully was in melding Eastern dance styles into his balletic modern vocabulary in deep torso bends, dervish whirls and arms extended beyond his already expansive port de bras.
★★★✰✰ Alvin Ailey American Dance Theater gave two new works their West Coast premieres on Tuesday at Zellerbach Hall, the opening night of its annual residency at Cal Performances in Berkeley.
As he has shown again and again, the choreographer Mark Morris has a way with Baroque music. He clearly adores it...
Closing the program is Kurt Jooss’s anti-war ballet from 1932,The Green Table, one of the greatest pieces of choreography ever created and still relevant after more than 80 years.
I always enjoy The Hard Nut even though there isn’t a lot of choreography.
Baryshnikov, now 64, still moves with style and finesse, but the choreography doesn’t offer any opportunities beyond a pseudo-Spanish cliché.