★★★★★ Scottish Ballet have come up with a delightfully life-affirming present to blow away the Covid blues this Christmas. It's not a film of an existing ballet, as we usually see at this time of year, but a ballet feature film - something made just for the camera and in which the camera is choreographed into the action. The result is a huge success...
Tag - Christopher Hampson
★★★✰✰ Although An Evening with Scottish Ballet could have been better presented by the Edinburgh Festival, the programme showcases an enterprising company full of ideas...
With one common factor, music by Igor Stravinsky, Scottish Ballet (SB) deliver two excellent and very contrasting performances which were filmed at the Festival Theatre, Edinburgh in 2017.
★★★★✰ Bruce Marriott takes a second look at Scottish Ballet's new Christmas hit - one day, two shows, many different dancers...
★★★★✰ Hampson has created a naturalistic and, above all, a graceful and harmonious set of steps. It's all so unforced, but it feels right and creates a beautifully rounded and satisfying production.
Araminta Wraith, Scottish Ballet soloist, is a DanceTabs guest blogger during the companies 50th anniversary season. This is her fourth blog and all about dancers and injuries - it's a very personal and heartfelt tale...
★★★★★ Scottish Ballet has a major critical hit on their hands - this is compelling 21st century watching. It was the premiere you want to see, but so very often don't, with everybody, but everybody, at the top of their game...
As part of their 50th anniversary Scottish Ballet presents the world premiere of The Crucible by Arthur Miller, choreographed by Helen Pickett, from 3 – 5 August at the Edinburgh International Festival ahead of a Scottish tour. helenpickett.com www.eif.co.uk www.scottishballet.co.uk Dance at this year’s Edinburgh Festival opens with your brand-new take on Arthur Miller’s The Crucible...
A busy time for Morgann Runacre-Temple with work for Scottish Ballet's Digital Season, Stuttgart Ballet's Noverre Young Choreographers Evening, English National Ballet and also her recent Northern Ballet commission will be touring again. She stops to answer 5 questions...
A huge welcome to Araminta Wraith, Scottish Ballet soloist and DanceTabs guest blogger during this, the companies 50th anniversary season.
Sophie Laplane, former company dancer, is now a Scottish Ballet Artist in Residence and her first main stage commission opens the companies 2019 season in Inverness on the 28 March, before touring to Glasgow, Aberdeen and Edinburgh. We catch up with her about the new work and what else she is up to...
★★★★✰ This is my second review of Scottish Ballet's Cinderella this winter. Why? Well, it's a production I like and I wanted to see more dancers in it, silly!
★★★★✰ The cast I saw at the first performance of this year's Christmas touring season were the best (Ugly) Step-Sisters I've ever seen - take a bow Constance Devernay and Aisling Brangan.
Gallery by Foteini Christofilopoulou...
Scottish Ballet have just announced plans for their Fiftieth Anniversary in 2019, including three world premieres - we have the full press release and touch-base with CEO/Artistic Director Christopher Hampson about the celebrations and what happens beyond...
★★★★★ What Scottish Ballet wanted to do was take the full experience out to the Highlands and Islands. So the good folks in Lerwick (capital of the Shetland Isles, population 7,500) saw was the same show they got in Edinburgh and Glasgow...
★★★★✰ Absolutely fascinating... Scottish Ballet should feel very proud of celebrating MacMillan in such a thoughtful way...
★★★★★ It seems appropriate that I’ve travelled to Russia to find a Cinderella interpreter of movement and spectacle to match up to the genius of Prokofiev’s music.
Scottish Ballet will be performing Kenneth MacMillan’s "Le Baiser de la fée" as part of the celebrations marking the 25th anniversary of his death. It will be the first revival of the ballet in 30 years - Jann Parry on the return of an important work.
★★★★✰ Both are pre-existing ensemble works, the performers virtually anonymous on stage, though named on cast sheets: the company is the star, not the soloists.