★★★✰✰ The Washington Ballet new program titled Balanchine + Ashton showcased four works by the two great choreographers, who “forever shaped our art form,” as the company’s artistic director, Julie Kent, put it in her opening remarks.
Tag - Delibes
★★★★✰ How is the company looking? ...the company looks good so far.
★★★★✰ The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.
★★★★✰ Days after the performance, I cannot get James Whiteside’s Ali out of my head. Devon Teuscher’s Medora is charming and warm, pulling off triple fouettées turns and her Italian fouettées with aplomb...
★★★★✰ Tiler Peck, with her quick feet and sassy musicality, is perfectly suited to the role of Swanhilda. Her choreography has copious amounts of pointework, quick steps, requires adroitness in petit allegro and excellent mime technique – all of which Peck has in abundance.
★★★★✰ On Saturday, Nov. 19, at Segerstrom Hall, Southern California audiences experienced our era’s ultimate executor of Le Corsaire’s balletic thrills, Ivan Vasiliev...
★★★★✰ Part of the secret to Sylvia is of course Léo Delibes’s score; like the story, it has its silly moments, but when it soars, it is utterly seductive...
★★★★✰ It’s a treat to be in the theater when a dancer achieves a triumphant performance...
Ballet Estable del Teatro Colon, Buenos Aires recently lived streamed Ashton's "Sylvia" from their home theatre. Graham Watts tuned in from a remote North Norfolk - it's a small world...
David Bintley's Sylvia is a great piece of classical dance and escapist fun.
The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.
A first night of superlatives and Tamara Rojo's done the country (not just London) a terrific service in her first full-evening commission. You'd be daft to miss Le Corsaire as it tours the UK. Bravo all.
The pleasure lies in the quality of dancing rather than interpretation. Petit was an expert at animating a stage, a musical-theatre choreographer who delivered what audiences expected...
Like a Fabergé egg with a tiny golden bird inside, Sylvia is decadent, a bit indulgent, but delightful.
American Ballet Theatre have a new production of Le Corsaire. Eric Taub sees the headline casting of Natalia Osipova and Ivan Vasiliev - but was he moved and wowed? Not really...
Boston audiences were very lucky in their first two Swanildas. Opening night, Misa Kuranaga was a vision of loveliness...