"Francesca Hayward" tag
Marianela Nunez in Nela.© Andrew Margetson, Marquee TV. (Click image for larger version)

Marquee TV – Summer Shorts festival in association with Screen.dance and the SF Dance Film Festival

★★★★✰   21 dance films, sourced from all over the globe and presented by Marquee TV in association with Screen.dance (Scotland’s Festival of dance on screen) and San Francisco Dance Film Festival.

Alessandra Ferri and Federico Bonelli in the Tuesday section of Woolf Works.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Woolf Works – streamed archive recording of 2017 performance

★★★✰✰   Wayne McGregor’s first full-length creation for the Royal Ballet, Woolf Works, inspired by Virginia Woolf, remains one of his best works to date.

Francesca Hayward and Cesar Corrales in Morgen.© Lara Cappelli, courtesy the Royal Opera House. (Click image for larger version)

Royal Opera House/Royal Ballet – Live from Covent Garden: First Concert

★★★✰✰   The first concert was not much of a consolation for all that we have lost. So far, the Royal Ballet appears a token add-on to the opera’s contributions…

Lauren Cuthbertson and Marcelino Sambé in The Cellist.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London

★★★✰✰   In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…

Katja Khaniukova - Winner of the Outstanding Female Classical Performance award for Frida in Broken Wings, English National Ballet.© Foteini Christofilopoulou. (Click image for larger version)

Gallery – UK National Dance Awards 2019

Gallery by Foteini Christofilopoulou…

Natalia Osipova in Onegin.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Onegin – London

★★★★✰   The ballet works as a conflicted love story centred on the heroine, Tatiana. When Natalia Osipova dances the role, she brings home how Russian the character is.

San Francisco Ballet in London: Jennifer Stahl in Snowblind by Cathy Marston. © Foteini Christofilopoulou. (Click image for larger version)

Some Memorable Performances of 2019 – London

Lynette Halewood with some reflections on London dance performances over the last year – the good and the less good…

Francesca Hayward and Gary Avis in Coppélia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Coppélia – London

★★★★✰   The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.

Francesca Hayward in Coppélia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Francesca Hayward and Gary Avis in a scene from the Royal Ballet’s Coppélia

Gallery by Foteini Christofilopoulou…

Yasmine Naghdi and Matthew Ball in The Sleeping Beauty.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Sleeping Beauty – London

★★★★✰   The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.

Sarah Lamb in Raymonda Act III.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London

★★★★✰   It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…

Everyone Keeps Me by Pam Tanowitz: Fumi Kaneko, Anna Rose O’Sullivan, Hannah Grennell and Beatriz Stix-Brunell.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Merce Cunningham celebration: Cross Currents, Monotones II, Everyone Keeps Me – London

★★★★★   Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.

Cross Currants by Merce Cunningham: Mayara Magri, Matthew Ball and Francesca Hayward.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet Merce Cunningham celebration – works by Cunningham, Ashton and Pam Tanowitz

Featuring works by Merce Cunningham, Frederick Ashton and Pam Tanowitz. Gallery by Foteini Christofilopoulou…

Flyer image, including picture of Theresa Ruth Howard, based on a MoBBallet Instagram post. (Click image for larger version)

ROH Young Talent Festival Symposium on Exposure, Access and Opportunity

The Young Talent Festival at London’s Royal Opera House included an important Symposium, hosted by Theresa Ruth Howard, under the title “Exposure, Access and Opportunity: Exploring the Cultural Barriers to Ballet.” Deborah Weiss with a comprehensive report on a stimulating event…

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Francesca Hayward in Ondine.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet’s Margot Fonteyn: A Celebration

The Royal Ballet pays tribute to its Prima Ballerina Assoluta, Margot Fonteyn, with a special celebratory performance to mark the centenary of her birth. Gallery by Foteini Christofilopoulou…

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

Night of 100 Solos at London's Barbican Theatre.© Foteini Christofilopoulou. (Click image for larger version)

Merce Cunningham Trust – Night of 100 Solos, Centennial Event – London

★★★★✰   A quote from The Observer’s dance critic, Nigel Gosling, in 1964: ‘Merce Cunningham and his company have burst on the British scene like a bomb …heart-warming proof that here is an art with a future…’

Thomas Bieszka in In the Middle, Somewhat Elevated.© Foteini Christofilopoulou. (Click image for larger version)

Memorable Performances of 2018 – London

Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.

Natalia Osipova and Ryoichi Hirano in Mayerling.© Helen Maybanks, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Mayerling (Hirano, Osipova) – London

★★★★✰   Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.

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