Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
Royal Ballet – Mayerling (Hirano, Osipova) – London
★★★★✰ Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.
Dance@TheGrange – Curated by Wayne McGregor & Edward Watson – Grange Festival, Hampshire
★★★★✰ McGregor’s company dancers (in Bach Forms) brought a surging energy, buoying up jewel-like moments from the Royal Ballet stars…
English National Ballet’s Emerging Dancer 2018 Competition – 5 Questions to 6 Finalists
English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 11 June and ahead of the that we talk to the finalists – Precious Adams, Fernando Carratalá Coloma, Giorgio Garrett, Daniel McCormick, Francesca Velicu and Connie Vowles…
Royal Ballet – Swan Lake (Scarlett premiere) – London
★★★★★ Liam Scarlett has devised a visual and emotional treat for audiences, fully justifying Kevin O’Hare’s faith in him as a director and choreographer.
Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London
★★★★✰ All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.
Gallery – Viviana Durante Company in Kenneth MacMillan: Steps Back in Time
Works performed: House of Birds, Danses Concertantes and Laiderette by dancers from The Royal Ballet, Scottish Ballet and Ballet Black. Gallery by Dave Morgan…
Royal Ballet / Charlotte Edmonds – Piggy in the Middle, Sink or Swim – London
★★★✰✰ Piggy in the Middle is, in part, Edmonds’ tribute to Kenneth MacMillan, the 25th anniversary of whose death has been marked during the Royal Ballet’s 2017/2018 season.
Royal Ballet – Manon – London
★★★★✰ It’s a myth that Kenneth MacMillan’s Manon was ever regarded as a failure. Critics may initially have had reservations but audiences have enjoyed it from its first season in 1974 throughout its many revivals…
Russian Ballet Icons Gala 2018 – London
★★★✰✰ This year’s Russian Ballet gala was ostensibly in honour of the 200th anniversary of Marius Petipa’s birth. Any choreography attributed to him was mostly a long way ‘after Petipa’, but it’s always fun to see excellent Russian dancers deliver pas de deux from Don Quixote, Swan Lake and Le Corsaire.
Royal Ballet/ROH Learning and Participation – Giselle, schools’ matinee – London
★★★★✰ This was indeed a Giselle to treasure as a first encounter with ballet.
Galleries – Royal Ballet in Giselle – Naghdi, Ball and Hayward, Campbell casts
Galleries by Dave Morgan of the Yasmine Naghdi, Matthew Ball and Francesca Hayward, Alexander Campbell casts.
Memorable Performances of 2017 – London
Head and shoulders above other new work this year was Crystal Pite’s Flight Pattern for the Royal Ballet…
Royal Ballet – The Nutcracker – London
★★★★★ When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared…
Ivan Putrov – Men in Motion (2017) – London
★★✰✰✰ All the ingredients seemed promising but the evening was disappointing, struggling to recover from the tedium of the dire opening item…
2017 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 18th National Dance Awards…
Royal Ballet – The Illustrated ‘Farewell’, The Wind, Untouchable – London
★★★✰✰ Kevin O’Hare is commissioning choreographers who want to make use of what the Opera House can offer; he’s not setting out to declare where ballet ought to be heading and he’s not playing safe.
National Ballet of Canada and The Royal Ballet – The Dreamers Ever Leave You – London
★★★✰✰ Binet’s aspiration is that audiences should see beautifully trained dancers in a spiritual light, embodying Lawren Harris’s quest for the divine in nature.
