★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
Tag - Francesca Hayward
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
★★★★✰ 21 dance films, sourced from all over the globe and presented by Marquee TV in association with Screen.dance (Scotland’s Festival of dance on screen) and San Francisco Dance Film Festival.
★★★✰✰ Wayne McGregor’s first full-length creation for the Royal Ballet, Woolf Works, inspired by Virginia Woolf, remains one of his best works to date.
★★★✰✰ The first concert was not much of a consolation for all that we have lost. So far, the Royal Ballet appears a token add-on to the opera's contributions...
★★★✰✰ In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré...
Gallery by Foteini Christofilopoulou...
★★★★✰ The ballet works as a conflicted love story centred on the heroine, Tatiana. When Natalia Osipova dances the role, she brings home how Russian the character is.
Lynette Halewood with some reflections on London dance performances over the last year - the good and the less good...
★★★★✰ The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.
Gallery by Foteini Christofilopoulou...
★★★★✰ The Royal Ballet's current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa's Imperial Russian ballet should be the flagship of her British company.
★★★★✰ It is all too easy to assume that the first triple bill of the Royal Ballet's autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies...
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
Featuring works by Merce Cunningham, Frederick Ashton and Pam Tanowitz. Gallery by Foteini Christofilopoulou...
The Young Talent Festival at London's Royal Opera House included an important Symposium, hosted by Theresa Ruth Howard, under the title "Exposure, Access and Opportunity: Exploring the Cultural Barriers to Ballet." Deborah Weiss with a comprehensive report on a stimulating event...
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season - a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
The Royal Ballet pays tribute to its Prima Ballerina Assoluta, Margot Fonteyn, with a special celebratory performance to mark the centenary of her birth. Gallery by Foteini Christofilopoulou...
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.