"Gemma Bond" tag
Joseph Gordon and David Hallberg in Maurice Béjart's Song of a Wayfarer.© Maria Baranova. (Click image for larger version)

RB, ABT, NYCB & NYTB dancers at the Joyce Ballet Festival – Prog C, curated by Jean-Marc Puissant – New York

★★★★✰   Starwise, Bejart’s Wayfarer bumps this program from two stars to four.

Lauren Cuthbertson and Marelino Sambé in Juliano Nuñes’ Two Sides Of.© Maria Baranova. (Click image for larger version)

RB, NBoC & ABT dancers at the Joyce Ballet Festival – Prog B, curated by Lauren Cuthbertson – New York

★★✰✰✰   I hadn’t seen much of the well-regarded Cuthbertson, so I was looking forward to this chance to get to know her (she appeared in four of five pieces), as well as the not-always-dubious introduction to new works by new choreographers…

Hamburg Ballet at International Draft Works 2019 in Seelen-Spiel, featuring choreography by Aleix Martinez and dancers Yaiza Coll, Patricia Frida, Marc Jubete and Nicolas Glasmann.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

International Draft Works 2019 – Royal Opera House, London

★★★★✰   All ten pieces on show were strong, considered commissions, and more than half came from female choreographers – a heartening boost for this male-saturated field.

Amanda Treiber and Erez Milatin in Optimists.© Rachel Neville. (Click image for larger version)

New York Theatre Ballet – Beethoven/1999, Optimists, Dark Elegies, Double Andante – New York

★★★✰✰   All was danced with the quiet focus, lucidity, and unfussy delivery that characterize the company. No attention-grabbing fireworks…

Gemma Bond's Then and Again.© Rod Brayman. (Click image for larger version)

Gemma Bond Dance – Then and Again, The Giving, Impressions – New York

★★★✰✰   It’s intriguing to see pas de deux that are clearly conceived from a woman’s point of view.

Cassandra Trenary in The Sleeping Beauty.© John Grigaitis. (Click image for larger version)

American Ballet Theatre – Sleeping Beauty – Paris

★★★✰✰   I was eager to see American Ballet Theatre’s Sleeping Beauty, mounted by Alexei Ratmansky last year, because of the enthusiastic reviews it has received in the United States. The Paris premiere, however, met with muted acclaim…

Stella Abrera and Marcelo Gomes in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

★★★★✰   This is a production that lives and breathes, and which rewards multiple viewings, changing subtly with each cast.

Unspecified work in Gemma Bond's Harvest bill.© Kathryn Wirsing. (Click image for larger version)

Gemma Bond – Harvest: Being, Manner, Depuis le Jour, Then and Again – New York

★★★✰✰ ” Bond’s strength, for now, lies in a kind of old-fashioned insistence on beauty and her ability to coax sensitive, generous performances out of her dancers.”

New York Theatre Ballet in Ashton's Capriol Suite.© Yi-Chun Wu. (Click image for larger version)

New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York

The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

Rie Ogura & Steven Melendez in Richard Alston's Light Flooding Into Darkened Rooms.© Richard Termine. (Click image for larger version)

New York Theatre Ballet – Legends & Visionaries bill – New York

The company embraces the turn-of-the-20th-century Cecchetti Method, more concerned with anatomic integrity than with razzle-dazzle. Cecchetti’s motto is “purity of line, simplicity of style.” You get the idea.

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Julie Kent in A Month in the Country.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – A Month in the Country premiere and bill – New York

Has there ever been a more sensitive, sympathetic chronicler of that inner flutter brought on by the onset of love than Frederick Ashton? It seems unlikely, on the evidence of ABT’s premiere of A Month in the Country…

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