Morris seems particularly interested in deploying turning and spinning movements these days; turns appear again and again in different forms in many of the new works, especially fast chaînés or dizzying rotations in one spot.
Tag - Houston Ballet
As always, it's a pleasure to see the Joffrey Ballet, especially since 2007 when artistic director Ashley Wheater assumed his post and began a terrific revival of the company...
America’s oldest ballet company, San Francisco Ballet, opened its eighty-second season with a triple bill that encapsulates the uniquely varied repertory developed by artistic director Helgi Tomasson...
The stars were indeed aligned when American Ballet Theatre’s Gillian Murphy arrived to guest with the Australian Ballet for two performances as the leading lady, Nikiya the temple dancer.
The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.
Washington Ballet – British Invasion: A Day in the Life, Rooster, There Where She Loved – Washington
Created for the Geneva Ballet in 1991, Rooster is both an entertaining rock‘n’roll romp and a nostalgic glimpse into the ebullient 1960s.
Houston Ballet made a quick visit to the Joyce in NY last week. Its single program included works by Mark Morris, Ben Stevenson, Hans van Manen and Stanton Welch - Marinna Harss reviews...
An interview with Michaela DePrince ex Dance Theatre of Harlem and now with the Junior Company of Dutch National Ballet. Marina Harss talks to her about life and motivations and, inevitably, about DePrince often being a different colour to most other dancers on ballet stages and the issues around that...
The Ballet v6.0 Festival has just been on at New York's Joyce Theater and Marina Harss was there for. So where are young choreographers taking contemporary ballet...?
Dekkers has some interesting ideas for collaborations with composers, visual artists and set designers, which sound good in the program notes but, at best, they remain embryonic on stage.
All up, I came out entertained and it's a piece that will endure. And if all the company can conqueror Act 1 there will be smiling families all the way, I think - smiling at the drama and the movement.
The Unkindness of Ravens - collaborative efforts are not easy, especially when they are cooked up over a short period. The two companies are just similar enough - contemporary, ballet-based - to make the project even more complicated.
Birmingham Hippodrome performance dates: Friday 15 – Saturday 23 February 2013 (includes a Sunday performance on 17 February at 1pm and a 6.30pm performance on Friday 22 February). Then Tours...
Sean Kelly enjoyed a nearly two decades-long career as a principal dancer with Houston Ballet, and then decided to try his hand at Musical Theater. He joined the casts and/or became Dance Captain in such shows as Carousel, Swing, Moving On and Billy Elliot. He was recently in the San Francisco Bay Area to set a new holiday swing-themed premiere on Diablo Ballet...
The Chicago Dancing Festival today announces that free tickets for the Festival’s 6th annual series of dance performances will become available to the general public beginning Tuesday, July 17.
My nickname in BRB used to be Bastard - and something happened with Ballet Hoo! - I don't know whether it's my age, or the kids we worked with, but it made me realise that you can get the best out of dancers and students by coming in on a certain level and talking to them on a certain level - not always shouting. I do shout still, I do get very angry...
The seven works I saw over two nights started with Aureole and ended with Esplanade, and even in these less than perfect circumstances it's impossible to resist the enchantment of these two masterpieces. Aureole especially seems to me the essence of Paul Taylor...
20 Pictures by Ron McKinney.
And I also love the fact that the city built this huge building to recognize classical ballet. Here in Texas we have the biggest monument to classical ballet in North America. That’s very cool. It was funded completely by private giving — from people who love the art, people who love classical ballet. That’s so exciting!