★★★✰✰ Birmingham Royal Ballet's latest bill, Carlos Curates: R&J Reimagined, had the company dancing in Edward Clug's Radio and Juliet (★★✰✰✰) and presenting Rosie Kay Dance Company in their new Romeo + Juliet (★★★★✰)
Tag - In the Middle Somewhat Elevated
★★★✰✰ Nobody is full of exciting and highly-charged moments of extreme skill, liberally sprinkled with arresting dance...
★★★✰✰ The 2019 winner is London-born Julia Conway and her success was well deserved.
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s...
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
★★★✰✰ Semperoper's dancers distort the classical ballet line more than the Paris Opera Ballet's (or ENB's) and don't bother much with fifth positions or precise épaulement for Forsythe's endless tendus. They seem contemporary dancers rather than étoiles being outrageous.
Featuring "Enemy in the Figure", "Neue Suite" & "In the Middle, Somewhat Elevated". Gallery by Foteini Christofilopoulou...
English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year's competition is on the 25 May and ahead of the that we talk to 4 of the 6 finalists - Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes...
★★★✰✰ Forsythe’s emblematic In the Middle, Somewhat Elevated was created 30 years ago. Still, the ballet retains its explosive spirit and irresistible urgency, as well as its ability to thrill.
★★★★★ One cannot help but observe that while the programmes of other companies both hit and miss, in terms of their critical appreciation and popular appeal, ENB is continually raising the bar...
Gallery by Dave Morgan...
★★★★✰ In music, mood and dynamics the Australian Ballet’s new triple bill, Vitesse, represents three elements, water, fire and air.
★★★✰✰ All the pieces on the program were united by a common thread – the athleticism, authority and technical prowess of the company’s dancers...
★★★✰✰ By way of a défilé, the evening opened with the “Waltz of the Hours” from Balanchine and Danilova’s Coppélia ...Soloist Jennifer Stahl led two dozen girls from the SFB School, adorable in cotton-candy tutus.
Yet again the Trocks had a fabulous critical reception during their Autumn UK tour and mentioned in nearly every review was Chase Johnsey, or in Trocks speak their petite ballerina Yakatarina Verbosovich. So what makes Chase/Yakatarina tick? Time for an interview...
Brooklyn Mack dances with Washington Ballet but has recently been wowing British audiences with English National Ballet in their wonderful "Le Corsaire". Margaret Willis, much impressed, caught up with him for a chat...
More than one dancer has been dubbed a “punk ballerina” but no one deserves it more than Sylvie Guillem, who has ruffled feathers at the world’s best companies, and at 50 years old is still on top.
Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company - fast...
It was only when I worked with Mats Ek that I understood who I was as a dancer.
English National Ballet Modern Masters: Petite Mort, Spring And Fall, In The Middle, Somewhat Elevated London, Sadler’s Wells 10 March 2015 Gallery of pictures by Foteini Christofilopoulou www.ballet.org.uk www.sadlerswells.com As the opening salvo of ENB’s new partnership with Sadler’s Wells, Modern Masters is a powerful statement of intent. Tamara Rojo’s newly energised company presents itself...