★★★★✰ The programs are a mix of revivals and new works, many by company-members or up-and coming choreographers. Diana Byer, the artistic director, has also developed a close relationship with the British choreographer Richard Alston...
Tag - Jose Limon
The Jacob’s Pillow website contains an important and incredibly diverse dance archive under the banner "Dance Interactive" - Susanna Sloat introduces an important resource and calls out many video gems...
★★★★✰ Program 3 features all-British choreographers: Peter Wright, Peter Darrell, Christopher Wheeldon, Matthew Bourne and Kenneth MacMillan. The exception is a solo by American Dominic Walsh, created for his own contemporary dance company. ...Some of the selections are probably unfamiliar to American audiences, as well as to British ballet fans of a younger vintage.
★★★★✰ I only wish Hubbard Street’s Berkeley run could have been longer than three performances, and based on the audience’s cheers and applause, I don’t think I was alone.
Some dance can be really thought provoking and that seems to have been the case with Tero Saarinen's "Morphed" - at least for Millicent Hodson and Kenneth Archer who recently caught up with the work at the Joyce in New York.
★★★✰✰ The South tour is particularly interesting this year because it features a new piece by Ruth Brill, a first artist within the company, and this is her first major commission.
David Bintley, director of Birmingham Royal Ballet, is a prolific choreographer and just about to unveil his latest full evening work - The Tempest. Graham Watts went to talk to him about a work, that after 30 years of consideration, has found its time and proper custom score...
★★★✰✰ Jessica Lang's Wink is an attractive piece, well designed and well made with a clear structure.
★★★✰✰ "... Wink is a 4 star piece. We need to see more of Jessica Lang’s work..."
★★★✰✰ When I think of Birmingham Royal Ballet (BRB) under David Bintley I think of tradition with a capital T and the latest double bill underlines that in spades.
On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success...
Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.
...with choreographic masterpieces by George Balanchine and José Limón and a Washington D.C. premiere of Alexei Ratmansky’s new work, this ABT program was in every way a balletomane’s dream come true.
The season began with a high-energy mixed bill which showed the company on sparkling form.
The Royal Danish Ballet's Dans2Go, year 3. As previously, the aim is to give newcomers a taste of different types of dance, at low prices...
On the eve of the Clive Barnes Foundation announcing its annual awards we interview Valerie Taylor-Barnes, the great critics widow, about her life in dance (including the Royal Ballet) and the work of the Foundation...
The highlight of the gala was the seventieth-anniversary performance of Agnes De Mille’s Rodeo, preceded by a short film describing its creation, with archival footage of the hilariously histrionic, diminutive choreographer.
Gnawa, on the other hand, is one of Duato’s best, though Duato does not have Limón’s depth. Duato is a master of atmosphere, a stylist with an eye for off-kilter, emotionally-tinged, virtuosic movement. His musical choices are sophisticated and theatrical. He sometimes tries too hard to be profound...