"Justin Peck" tag
Alonzo King LINES Ballet's There Is No Standing Still, Part 1 - screen grab from video.© Alonzo King LINES Ballet. (Click image for larger version)

Outdoors Ballet – some different responses to Lockdown from around the world

As lockdown eases ballet is getting out of streaming from living rooms and into the big wide world – Jann Parry looks at six happenings/films involving dancers from Dance Theatre of Harlem, New York City Ballet, San Francisco Ballet, Alonzo King LINES Ballet & The Royal Ballet

Alonso Tepetzi, Dara Holmes and Jose Pablo Castro Cuevas in Commedia.© Cheryl Mann. (Click image for larger version)

Joffrey Ballet – Commedia, Bliss!, Beyond the Shore, The Times Are Racing – San Fransisco

★★★✰✰   The Joffrey Ballet brought a program of four diverse works. Peck’s Times was a hit as was Christopher Wheeldon’s Commedia. The other two works weren’t misses per se…

New York City Ballet in Justin Peck’s Rotunda.© Erin Baiano. (Click image for larger version)

New York City Ballet – Classic NYCB II bill with new Justin Peck – New York

★★★✰✰   In the last week of its winter season, New York City Ballet unveiled a new work by its resident choreographer, Justin Peck, to a score by the popular neo-Minimalist composer Nico Muhly. It was a homecoming of sorts for Peck…

Adrian Danchig-Waring, Jovani Furlan, Teresa Reichlen in Robbins’ Concertino.© Erin Baiano. (Click image for larger version)

New York City Ballet – Classic NYCB I including Haieff Divertimento & Episodes – New York

★★★★✰   The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.

Megan Fairchild and NYCB in Ratmansky’s Voices.© Erin Baiano. (Click image for larger version)

New York City Ballet – Voices (new Ratmansky), and New Combinations bill – New York

★★★★✰   There was always something new around the corner, a surprising shape, a witty step, an unlikely transition. It’s clear that Ratmansky felt liberated by the unusual structure and soundscape…

Houston Ballet in Justin Peck’s Reflections.© Amitava Sarkar. (Click image for larger version)

Houston Ballet – The Letter V, Come In, Reflections – New York

★★★★★   Houston Ballet is a prime example of what a 21st century ballet company should look like: diverse, dynamic and accomplished.

Adrian Danchig-Waring and Unity Phelan in Robbins’ Dances at a Gathering.© Erin Baiano. (Click image for larger version)

New York City Ballet – Dances at a Gathering, Everywhere We Go – New York

★★★✰✰   Robbins’ response to Chopin (in Dances at a Gathering) is also extraordinary: sensitive, simple, vulnerable, direct, un-fussy.

Sasha De Sola and Angelo Greco in Scarlett's Hummingbird.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Bespoke, Hummingbird and Hurry Up, We’re Dreaming – London

★★★★✰   the overall impression was of the wholly American spirit of the company – peppy, vivacious, determined and running at full-tilt.

Gretchen Smith and Indiana Woodward in Pam Tanowitz’s Bartók Ballet.© Erin Baiano. (Click image for larger version)

New York City Ballet – Spring Gala: Bright, Bartók Ballet, Tchaikovsky Suite No. 3 – New York

★★★✰✰   In Bartók Ballet, which coexists but does not comment on the music, the dancers explore a huge range of steps and quotations…

Ruth Brill.© courtesy Birmingham Royal Ballet. (Click image for larger version)

5 Questions to choreographer Ruth Brill, about to unveil ‘Peter & The Wolf’ for Birmingham Royal Ballet

We quickly catch up with choreographer Ruth Brill about her latest work for BRB, how she creates and what else she is up to… she’s a busy bee!

Sara Mearns in Justin Peck’s Rodeo: Four Dance Episodes.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Pictures at an Exhibition, Oltremare, Rodeo: Four Dance Episodes – New York

★★★★✰   There is a palpable sense of hope among the dancers; again and again, they rise to the occasion. The opening-night program reflected this resilience and gave reason for hope.

Lauren Strongin and Joseph Walsh in Scarlett's Die Toteninsel.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Die Toteninsel (premiere), Rodeo: Four Dance Episodes, Björk Ballet – San Francisco

★★★✰✰   Liam Scarlett has great taste in dancers. For the 29 March world premiere of Die Toteninsel, his fourth commission for San Francisco Ballet, the British choreographer chose the lyrical and athletic principal Joseph Walsh and soloist Lauren Strongin…

New York City Ballet in Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Prodigal Son, Liebeslieder Walzer – New York

★★★✰✰   Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.

San Francisco Ballet in Millepied's Appassionata.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Divertimento No. 15, Appassionata, Hurry Up, We’re Dreaming – San Francisco

★★★★✰   A triple bill joining George Balanchine’s Divertimento No. 15, the San Francisco Ballet premiere of Benjamin Millepied’s Appassionata and Justin Peck’s Hurry Up, We’re Dreaming.

Tiler Peck in Justin Peck’s Principia.© Erin Baiano. (Click image for larger version)

New York City Ballet – Herman Schmerman, Principia (new Peck), The Runaway – New York

★★★✰✰   Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s…

Carlos Acosta.© Johan Persson. (Click image for larger version)

Carlos Acosta – Dancer, Directer, Choreographer: ‘I am a man on a mission – I always have been’

“That’s what it’s always been about for me – the necessity to connect with an audience and express myself.”

New York City Ballet in Symphony in C.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Jewels & All Balanchine 4bill – New York

★★★★✰ The company seemed to be dancing with a special ferocity, as if to prove its worth and convince the world that this enterprise is, indeed, worth preserving and saving.

Lauren Post and José Sebastian in Zhongjing Fang's Seen by Two.© Rod Brayman. (Click image for larger version)

Co.Lab Dance – Seen by Two, Almost Ritual, The Bright Motion, Sketches – New York

★★★✰✰   What will Co.Lab become? I look forward to finding out. Meanwhile, it’s simply encouraging to see these dancers and emerging choreographers create something of their own.

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

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