★★★★✰ The Royal Ballet pull together in difficult conditions to make a show happen as well as possible, for which we applaud them with grateful pleasure.
Tag - Kevin O’Hare
★★★★✰ Both are exceptional dance-actors, though Ferri must take the limelight as the lost, legendary ballerina of Béjart’s imagination.
Both the Royal Ballet and Birmingham Royal Ballet are opening their 2021/22 seasons with the same ballet - Kenneth MacMillan's Romeo and Juliet. Jann Parry takes a look at how one of the most admired narrative ballets of the 20th century came to be and details of the many dancing debuts we can look forward to...
The Royal Ballet's Sarah Lamb has long admired choreographer Twyla Tharp and in 2017 she got to work with the renowned mover and shaker of dance...
★★★★★ Thank you, Royal Ballet, for giving so much pleasure in trying times.
★★★★✰ Kevin O'Hare, director of the Royal Ballet, came on stage to welcome the return of a paying audience for what turned out to be the opening and closing live performance of the season...
The entire Royal Ballet were back on stage and performing for a live audience last Friday in a gala style show which was/is also streamed. Jann Parry was mightily impressed with the dancing and repertoire (★★★★★) if not so much with the live audience experience in a Covid aware Opera House (★★★✰✰)
★★★★✰ The singers had the lions' share of the concert, with just two pas de deux by Royal Ballet couples, Matthew Ball and Mayara Magri, Reece Clarke and Fumi Kaneko.
The Royal Ballet's Vadim Muntagirov talks about making the most of lockdown and getting ready to dance again for the Royal Opera House's Live from Covent Garden transmission on Saturday night (20 June 2020), where he is dancing Ashton's seldom-seen "Dance of the Blessed Spirits"...
"If you missed 'Men at the Barre - Inside the Royal Ballet': a look behind the scenes at the male ballet dancers in the company, then do take the time to catch up on BBC iPlayer."
★★★★✰ Marianela Nunez and Vadim Muntagirov's account of Swan Lake is spellbinding... if Scarlett's revision of the 1895 scenario makes even less sense than the original.
Lynette Halewood with some reflections on London dance performances over the last year - the good and the less good...
Pam Tanowitz, well known in New York, just created her first work outside the States - for the Royal Ballet. It's been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out...
★★★✰✰ Program A consisted of a string of solos and duets representing a slice of the company’s choreographic trajectory, from Frederick Ashton through Kenneth MacMillan to Liam Scarlett, Wayne McGregor, and Charlotte Edmonds.
The Young Talent Festival at London's Royal Opera House included an important Symposium, hosted by Theresa Ruth Howard, under the title "Exposure, Access and Opportunity: Exploring the Cultural Barriers to Ballet." Deborah Weiss with a comprehensive report on a stimulating event...
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season - a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
★★★★★ This is a superbly made film... It draws a portrait of a supreme artist, a woman with exceptional humility, all sensitively handled with warmth and humour.
This programme celebrated Annette Page's career with the Royal Ballet and supported the Motor Neurone Disease Association. She died at the age of 84 of MND, a cruel disease for a former dancer and an articulate, witty woman...
★★★★✰ - Royal Ballet School in Liam Scarlett's new Cunning Little Vixen. ★★✰✰✰ - Royal Ballet's Yasmine Naghdi debut in Two Pigeons.
★★★★✰ Liam Scarlett’s Asphodel Meadows has made a welcome return to the Opera House stage, reminding us exactly why his prodigious talent was given a main stage debut when the choreographer was just 24.