★★★★✰ Featuring dancers and works from Alvin Ailey American Dance Theater, New York City Ballet, Dance Theatre of Harlem, American Ballet Theatre and Ballet Hispanico...
Tag - Kyle Abraham
★★★★✰ Jann Parry reviews the RB Balanchine and Robbins bill featuring Apollo, Tchaikovsky pas de deux and Dances at a Gathering.
★★★✰✰ With works from Christopher Wheeldon (Within the Golden Hour), Kyle Abraham (Optional Family: a divertissement - a premiere) and Crystal Pite (The Statement & Solo Echo)
A quad bill featuring a premiere by Kyle Abraham (as yet unnamed) along with works by Crystal Pite and Christopher Wheeldon.
★★★★✰ The latest offering from New York City Ballet, by Kyle Abraham, is a particularly handsome, intelligent, and well-filmed example of the (made and streamed under Covid) genre.
★★★★✰ Kyle Abraham has created a short 4 minute video work for the National Sawdust FERUS Festival - it's composed from a much longer work to be premiered later in the year. Susanna Sloat finds it "very handsome and pleasing..."
★★★✰✰ Program II of the Fall for Dance festival features premieres by Dormeshia and Kyle Abraham, plus excerpts of works by Balanchine and Lar Lubovitch...
★★✰✰✰ Strasbourg 1518 has been lauded as 'head buttingly confrontational' and an original 'dance for today'. It isn't. Familiar Bausch tropes don't really reflect 1518's psychogenic mania, which was communal, or today's experience of isolation, stress and tedium.
★★★★✰ As a special one-off, Michael Trusnovec, now a guest artist, danced the solo from George Balanchine’s spiky and ascetic Episodes which he made for Paul Taylor in 1959.
★★★✰✰ Liebeslieder Walzer is one of the most precious of all Balanchine’s ballets; within its fifty-minute span it seems to contain a world of emotion, both profound and infinitely civilized.
★★★✰✰ Major draws were the new Justin Peck and a revival of William Forsythe’s 1992 commission Herman Schmerman, not seen in full since the 90s...
Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.
★★★✰✰ No evening of new works is perfect; the excitement lies in the hope that at some point some magic will happen. And in that solo for Taylor Stanley by Kyle Abraham, we got a glimpse of that magic.
★★★✰✰ I very much like Brooks’ work, particularly his approach to rebound, points of contact in partnering and his nuanced use of accumulation...
★★★✰✰ Pavement, from 2012, takes as its touchstone the 1991 film Boyz n the Hood, John Singleton’s hard-hitting coming-of-age drama...
★★★✰✰ I caught all four new works: an expanded version of Michelle Dorrance’s Myelination, Kyle Abraham’s Drive, the Sara Mearns and Honji Want collaboration No. 1, and Mark Morris’s solo Twelve of ‘em for David Hallberg.
★★★★✰ Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month...
★★★✰✰ More than anything, Peck's "The Times are Racing" reminded me of the movie Rebel Without a Cause. These kids are uneasy, but what is the object of their unease?
★★★★✰ There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.
★★★✰✰ It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.