A highlight of the season is the return of Kurt Jooss’s The Green Table, made in 1932. This meditation on the folly of war in eight scenes has lost none of its punch...
Tag - Marcelo Gomes
It is almost eight years to the day since The Car Man was last revived at Sadler’s Wells (having premiered in 2000) and it seems even better than I recall...
...it certainly showed that Osipova is a lightning bolt which can illuminate and energise everything she appears in.
Gallery by Dave Morgan...
Marcelo Gomes, American Ballet Theatre's much-admired star is about to be busy on other things and in London too. He'll be staring in The Car Men but first we see him dance in his own choreography at the Ardani Gala 17/18 July. 5 Questions to him...
Perhaps the most striking element in Alexei Ratmansky’s new Sleeping Beauty for American Ballet Theatre is its musicality, the way the steps, peppered with accents and breaths, unspool within the music.
American Ballet Theatre know how to do a Gala and this was their 75th Anniversary as well - Everybody seemed to have a good time says Marina Harss...
American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York
There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York...
Natalia Osipova, Ivan Vasiliev, Edward Watson and Marcelo Gomes star in ARDANI 25 DANCE GALA Friday 17th and Saturday 18th July 2015, London Coliseum This summer’s hot dance ticket will be the ARDANI 25 DANCE GALA at the Coliseum on Friday 17th and Saturday 18th July, presented by producer and impresario Sergei Danilian (Ardani Artists). The evening features an all-star line-up including Natalia...
Nothing can ignite a cowboy’s imagination better than the fluttery ruffles of a voluminous skirt...
"It was a hell of a performance." Marina Harss on Jerome Robbins’ Fancy Free.
Liam Scarlett's "With a Chance of Rain" premiere - It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux...
No-one could fail to be impressed by the versatility of ABT’s dancers and by the diverse repertoire they brought. They did themselves, their company and their country proud.
The three dancers who took their leave this week – Sascha Radetsky, Yuriko Kajiya and Jared Matthews – are all soloists. Each led a different cast of the company’s 1997 production of Coppélia.
Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that...
American Ballet Theatre’s Swan Lake is looking tired ...bogged down by reams of flavorless dancing.
To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.
Margaret Willis has been busy: in St. Petersburg at the Dance Open Festival Gala and 2 days later in Moscow at the Soul of Dance Ballet Gala. And important awards were given at both...
Wonderful how Petit’s youthful melodrama (Le Jeune et la Mort) still works its power, performed with commitment and coached by an expert – Luigi Bonino, one of Petit’s favourite dancers
Gallery by Dave Morgan...