"Olafur Arnalds" tag
Chelsea Reichert and Alex Carrington in Maurya Kerr's my beloved comet.© Robbie Sweeny. (Click image for larger version)

FACT/SF Summer Dance Festival including works by Davis/Mullis, Dazaun Soleyn and Maurya Kerr – San Francisco

★★★★✰   SF choreographers Maurya Kerr, Dazaun Soleyn and Slender-White, and the visiting duo of Joy Davis (Boston) and Eric Mullis (Charlotte, North Carolina), presented new works of 10–20 minutes in length.

Norwegian National Ballet 2 in Some See Stages.© Erik Berg. (Click image for larger version)

Norwegian National Ballet 2 – ROH, Young Talent Festival, Quint Bill – London

★★★✰✰   Norwegian National Ballet 2 at the ROH Young Talent Festival with 5 works – Departures, Valse-Fantaisie, Pas de Sept from A Folk Tale, Some See Stages, Left from Write

Tiffany Hedman and Daniel Kraus in Morgann Runacre-Temple's Give My Love to The Sunrise.© Dave Morgan. (Click image for larger version)

English National Ballet – Choreographics 2015 – London

Of the three Choreographics evenings to date I thought this was the best, with all the pieces feeling buffed-up, thought about and nobody making a huge wrong turn.

Josie G. Sadan in The Invention of Wings by Brenda Way and KT Nelson.© Andrew Weeks photography. (Click image for larger version)

ODC/Dance – Dead Reckoning, The Invention of Wings – San Francisco

ODC boasts world-class contemporary dancers, and they moved with weight, intention and a compelling tenderness…

Wendy Whelan and Brian Brooks in First Fall by Brian Brooks.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Wendy Whelan – Restless Creature bill – San Francisco

Ultimately, it mattered less what Whelan and her collaborators were doing, and more that they were doing.

Transitions Dance Company publicity image.© Chris Nash, (Click image for larger version)

Transitions Dance Company – 2014 Mixed bill – London

Transitions Dance Company is a finishing school that provides a special opportunity to contextualise their dance studies and training and this year’s ensemble demonstrated a strong range of capabilities across a wide spectrum of skill sets.

Antoinette Brooks-Daw, Rachael Gillespie, Jeremy Curnier and Matthew Topliss in Lar Lubovitch's Concerto Six Twenty-Two.© Dave Morgan. (Click image for larger version)

Northern Ballet – Concerto Six Twenty-Two, Concertante, Luminous Junc•ture – London

I thoroughly applaud the move to widen the choreographic vocabulary of what they present and I hope they can tour such a bill in future. A bravo to David Nixon (AD) and Mark Skipper (Chief Exec) for making this happen…

Edward Watson in Arthur Pita’s Volver, Volver.© Dave Morgan. (Click image for larger version)

Royal Ballet and other Dancers – Gala for Ghana – London

Royal Ballet and other Dancers Gala for Ghana London, Britten Theatre, Royal College of Music, 2 February 2012 Original programme details www.ashanti-development.org Sunday’s gala evening of music and dance raised money for the…

RNZB dancers perform in Of Days by Andrew Simmons.© Evan Li. (Click image for larger version)

Royal New Zealand Ballet – Anatomy of a Passing Cloud, Of Days, Bier Halle – Auckland

Three radically different worlds are conjured up by strongly contrasting styles of dancing, music, set and design…

Hannes Þór Egilsson and Emilía Benedikta Guðmundsdóttir in The Swan.© Golli. (Click image for larger version)

Iceland Dance Company – Til, The Swan, Grosstadtsafari – Washington

The Swan (2008), a duet created by the company’s artistic director Lára Stefánsdóttir, turned out to be the most intriguing and theatrically effective dance on the program.

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