"Ondine" tag
Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Laura Morera in Song of the Earth (with Edward Watson in full version).© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Interview – Laura Morera – Principal, The Royal Ballet

“I’ve never won a prize before…” on the day Laura Morera won an Outstanding award at the National Dance Awards, Margaret Willis had a long chat with the excited, and much loved, Royal Ballet principal…

James Hay.© Andrej Uspenski. (Click image for larger version)

James Hay – Royal Ballet First Soloist

The Royal Ballet’s 2015/2016 season is providing big opportunities for James Hay, promoted to First Soloist in June…

Leanne Cope and Robert Fairchild in rehersals for An American in Paris.© Matt Trent Photography. (Click image for larger version)

Christopher Wheeldon – An American in Paris – Paris

As in his narrative ballets, Wheeldon crams in too many ideas. What he does supremely well is to convey emotions beyond words in his pas de deux and solos.

Hannah Grennell in Unearthed.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Deloitte Ignite 2014, Royal Ballet and others – Sampling the Myth bill – London

The best of the videos and best piece of the night was Kim Brandstrup’s Leda and the Swan using the much-loved Zenaida Yanowsky and Tommy Franzen

Marianela Nuñez in Liam Scarlett, Will Tuckett and Jonathan Watkins' Diana & Actaeon.© Dave Morgan. (Click image for larger version)

Royal Ballet – Titian 2012: Machina, Trespass, Diana & Actaeon – London

Seeing the programme twice confirmed my initial impression that Trespass is the best-wrought work. The other two ballets are interesting as concepts rather than as polished productions. But the programme’s emphasis on creativity and collaboration means that Monica Mason’s farewell contribution to the art form in which she has invested her considerable energy will carry on germinating ideas long after she leaves.

Marianela Nunez and Nehemiah Kish in The Prince of the Pagodas. © Johan Persson, courtesy of ROH. (Click image for larger version)

Royal Ballet – The Prince of the Pagodas – London

Barry Wordsworth conducted the trimmed and re-ordered score as though it were great ballet music. If only.

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