"Rachmaninoff" tag
Lauren Strongin and Joseph Walsh in Scarlett's Die Toteninsel.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Die Toteninsel (premiere), Rodeo: Four Dance Episodes, Björk Ballet – San Francisco

★★★✰✰   Liam Scarlett has great taste in dancers. For the 29 March world premiere of Die Toteninsel, his fourth commission for San Francisco Ballet, the British choreographer chose the lyrical and athletic principal Joseph Walsh and soloist Lauren Strongin…

Koto Ishihara, Francisco Mungamba and Wei Wang in Bubeníček's Fragile Vessels.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Haffner Symphony, Fragile Vessels (premiere), In the Countenance of Kings – San Francisco

★★★★✰   The company’s first regular-season commission from Czech choreographer Jiří Bubeníček, “Fragile Vessels”, is a 40-minute meditation on love, loss and reconciliation.

Bethany Headland, Alexander Nuttall, Alexandra Cameron-Martin and Diogo Barbosa in Kristen McNally's Moonshine.© Dave Morgan. (Click image for larger version)

New English Ballet Theatre – Quint-Essential bill of Five New Ballets – London

★★★✰✰   Some of these pieces are more successful than others but the dancers seize the opportunities with relish…

Daniel White in Suite Saint-Saens.© Lucas Chilczuk. (Click image for larger version)

Joffrey Ballet Concert Group – An Evening of Dance – New York

★★★✰✰   The Joffrey Ballet Concert Group, a pre-professional troupe of young dancers under the direction of David Robertson, performed a mixed but very split bill on Thursday night, roughly dividing the six-work program into two moods: spring/summer and dark and stormy.

Nicol Edmonds and Matthew Ball in Joshua Beamish's Burrow.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Draft Works 2015 – London

This year‘s highlight was an exuberant piece from Marcelino Sambé which provided a lively closer to an otherwise rather downbeat programme.

Justin Peck and Sterling Hyltin in The Cage.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Bach and Hear the Dance: Russia bills – New York

More from the NYCB Winter Season with Marina Harss reviewing 2 bills made up of 6 works: Concerto Barocco, The Goldberg Variations, Symphonic Dances, The Cage, Andantino and Cortege Hongrois…

Maria Kochetkova and Davit Karapetyan in Possokhov's Bells.© Erik Tomasson. (Click image for larger version)

San Francisco Ballet – Infinite Romance: 2015 Season Opening Night Gala – San Francisco

The SF Ballet premiere of choreographer-in-residence Yuri Possokhov’s pas de deux from Bells is my all-round favorite of the evening. Sublime dancing from Maria Kochetkova and Davit Karapetyan…

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

New Ballet Ensemble at the National Symphony Orchestra: NEW MOVES program.© Scott Suchman. (Click image for larger version)

New Ballet Ensemble – Program 2, National Symphony Orchestra: NEW MOVES: symphony + dance season – Washington

Smythe’s Harlem was a riot of imagination, movement and color. The choreography blended together three seemingly unmixable styles of dance – classical ballet, jookin’ and flamenco…

Houston Ballet in Mark Morris's Pacific.© Amitava Sarkar. (Click image for larger version)

Houston Ballet – Pacific, Twilight, Solo, Play – New York

Houston Ballet made a quick visit to the Joyce in NY last week. Its single program included works by Mark Morris, Ben Stevenson, Hans van Manen and Stanton Welch – Marinna Harss reviews…

Johan Kobborg as Walter Sickert, Steven McRae as Jack in Liam Scarlett's Sweet Violets. © Bill Cooper, courtesy of ROH. (Click image for larger version)

Royal Ballet – Polyphonia, Sweet Violets, Carbon Life – London

‘Sweet Violets’, though over-ambitious, is the best stab at a psychologically complex narrative ballet the company has commissioned for years.

Nina Ananiashvili – 30 years on stage gala – Tbilisi

So what has made her a ballet legend? The simple fact that she lives, breathes and demonstrates the finest techniques of Russian classical ballet. She is fastidious in her footwork, has the most beautiful pliable back, expressive arms and has perfect proportions and great sensitivity…

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