Last spring, live dance began its gradual return to New York City. The wait had been long, and the longing intense. I remember the first performance I saw in New York as if it were yesterday.
Tag - Ronald K. Brown
Susanna Sloat talks to Ayodele Casel and Torya Beard, co-curators of NY's Little Island Dance Festival, about the festival and their wider work in and around dance.
★★★★✰ “Take Me Back,” makes you forget, for a half hour or so, that you are wearing a mask. Different dancers come to the fore, with voguing sashays or quick arm slices, breaking moves, individual, or simultaneous – startling and satisfying when a group is on the floor, revolving together...
★★★★★ Within the four walls of the Joyce Theater, magic has been brewing. We, the public, only get to see it in virtual form, but the magic is real. The creator of spells is the tap dancer and choreographer Ayodele Casel...
Other years have been more exciting, I think, but this one has had its share of remarkable performances, including a few thrilling ones. Here, in no particular order, are the ones that really stood out, for one reason or another.
★★★★✰ Ronald K. Brown is one of those choreographers who returns to a similar mode in piece after piece, so it’s easy to take him for granted. But what a powerful mode it is.
★★★✰✰ Dreaming of Lions ...is an ambitious work, an hour-long, semi-abstract meditation on Ernest Hemingway’s tale of maritime endurance, The Old Man and the Sea.
★★★★✰ There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.
★★★★✰ Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.
Gallery by Dave Morgan...
★★★✰✰ It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.
★★★✰✰ Alvin Ailey American Dance Theater gave two new works their West Coast premieres on Tuesday at Zellerbach Hall, the opening night of its annual residency at Cal Performances in Berkeley.
Warmth, exuberance, power, finesse – all these qualities infuse everything they do.
Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.
For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance...
MalPaso Dance Company is a product of an evolving Cuba, finding its way, looking out at the world beyond the island.
On the 13 December 2014, as the Millions March protest - on the shooting of unarmed African-American men by police - was happening in NY, Shanti Crawford was at City Center seeing Alvin Ailey perform Hofesh Shechter's Uprising. It really hit home...
Since becoming artistic director at Alvin Ailey American Dance Theater in 2011, Robert Battle has been steadily mixing up the company’s repertory, adding works by choreographers beyond its usual range: Paul Taylor, Ohad Naharin, and Wayne McGregor, to name just three.