"Ross MacGibbon" tag
Marianela Nuñez and Carlos Acosta in La Fille mal gardée.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – La Fille mal gardée – streamed archive recording of 2005 performance

★★★★★   If you want an antidote to any miserable lockdown mood, La Fille mal gardée cannot fail to lift your spirits and allow you to marvel at some really first-rate dancing.

Lauren Cuthbertson and Matthew Ball in The Cellist.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Cellist – streamed recording

★★★★✰   Cathy Marston has achieved much in bringing the life of Jacqueline du Pré to the ballet stage and perhaps one of the things that becomes even clearer with repeated viewings, is that the music and the dance are inextricably linked.

Natalia Osipova in Anastasia.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Anastasia – streamed archive recording of 2016 performance

★★★★✰   Osipova inhabits the role of Anna Anderson with gruelling sincerity. She appears deranged from the beginning with close-up camera angles revealing a depth of despair that is tremendously affecting.

Zizi Strallen and Chris Trenfield in The Car Man.© Foteini Christofilopoulou. (Click image for larger version)

New Adventures – Reel Adventures festival: Matthew Bourne’s The Car Man

★★★★✰   It doesn’t get much steamier than Matthew Bourne’s The Car Man, the third of his productions to be presented and screened on Sky Arts during lockdown.

New Adventures in Matthew Bourne’s Swan Lake.© Johan Persson. (Click image for larger version)

New Adventures – Reel Adventures festival: Matthew Bourne’s Swan Lake, Romeo and Juliet

★★★★✰   Performances across the board are stupendous, reminding us that interpretations evolve and change, and do not disappoint.

Chester Hayes as Billy in Kes Reimagined.© Marv Martin. (Click image for larger version)

Film: Kes Reimagined, by Jonathan Watkins

★★★★✰   In Watkins’ choreography and MacGibbon’s mastery of camera angles and close-ups the narrative is crystal clear.

Jonathan Watkins on the Kes set.© Andrej Uspenski. (Click image for larger version)

Interview – Jonathan Watkins and his new film ‘Kes Reimagined’ – a Kes for Today

“Kes Reimagined” is Jonathan Watkins’ new film version of “Kes” and shortly to premiere at the Leeds International Film Festival – 7 November 2019. Diane Parkes talks to Watkins about taking on a story made famous for many by Ken Loach’s classic film…

Darcey Bussell and Roberto Bolle in Sylvia on Opus Arte video from Amazon.© Opus Arte. (Click image for larger version)

Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival

To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…

Publicity image for English National Ballet / Akram Khan's Giselle.© Jason Bell. (Click image for larger version)

English National Ballet – Akram Khan’s Giselle – on cinema release

★★★★★   A total of 150 cinemas will show the ballet, which was filmed at the Liverpool Empire, in October 2017

Steven McRae and Sarah Lamb in The Nutcracker.© Foteini Christofilopoulou, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★★   When Peter Wright’s production of The Nutcracker for the Royal Ballet was given its premiere on 20th December 1984, gala guests were treated to free champagne and souvenir booklets. No expense was spared…

Roberta Marquez and Steven McRae in The Nutcracker.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

The Royal Ballet – Nutcracker live screening in cinemas – Everywhere

There were revelations on-screen, too. …How many first-time spectators spot that the Biedermeyer-period Christmas cake in the Act 1 party provides the marzipan-and-icing set for Act II?

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