If extravagant productions are the way to bring in new audiences and fill the till then they are justified for those reasons alone. However, they don’t necessarily leave a rich legacy for future generations.
Tag - Sarah Van Patten
Program 7 made me think a lot about this tricky issue of programming because this bill is a weird sandwich made with a delectable gourmet filling between slices of bland Wonder bread.
The highlight of the program is Lorena Feijóo's return to the stage in more than one ballet during the evening. After being out on maternity leave for a year ...is dancing better than ever.
From Foreign Lands: "This amusing, yet subtle send-up of classical ballet is rewarding in its expertly-shaped choreography, and made all the more appealing by the slight wackiness of the costumes and visual jokes."
The highly anticipated world premiere of Wayne McGregor’s Borderlands, commissioned by SF Ballet, meets with a standing ovation.
Perhaps the best pas de deux of the evening, judging by the audience reaction, is one from Christopher Wheeldon’s After the Rain.
The mixed bill proved once again that San Francisco Ballet is a dedicated promoter of new work...
San Francisco’s second programme was better balanced than the first, with contrasting works created for the company within the past two years.
The sixty-five-year-old The Four Temperaments is now a senior citizen, but not even close to retiring...
Calling this ballet a guide (Guide To Strange Places) is not really precise because it’s more like a portal that lets you in and then leaves you on your own to figure out where you are. Whether you have absolutely no sense of direction or can find your way anywhere blindfolded could determine how you explore this terrain