"Stravinsky" tag
Christopher Harrison & Constant Vigier in Christopher Hampson’s The Rite of Spring.© Andy Ross. (Click image for larger version)

Scottish Ballet – The Rite of Spring & The Fairy’s Kiss – streamed archive recordings of 2017 performance

With one common factor, music by Igor Stravinsky, Scottish Ballet (SB) deliver two excellent and very contrasting performances which were filmed at the Festival Theatre, Edinburgh in 2017.

Teresa Reichlen and Ask la Cour in Balanchine’s Firebird.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine: Allegro Brillante, La Source, Firebird – New York

★★★★✰   How is the company looking? …the company looks good so far.

Lauren Lovette and Joseph Gordon in George Balanchine’s Stravinsky Violin Concerto.© Erin Baiano. (Click image for larger version)

New York City Ballet – Stravinsky & Balanchine bill – New York

★★★★✰   New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.

Natalie Alleston in Jeanguy Saintus' The Rite of Spring.© Tristram Kenton. (Click image for larger version)

Phoenix Dance Theatre – Left Unseen and The Rite of Spring – London

★★✰✰✰   Phoenix Dance Theatre’s The Rite of Spring came with tantalising credentials: the company’s first collaboration with Opera North, and a UK debut for the Haitian choreographer Jeanguy Saintus…

Margot Fonteyn as Ondine, 1958.© Roger Wood, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Margot Fonteyn, A Celebration – London

★★★★✰   The Royal Ballet did themselves a lot of good with the last new bill of the season – a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.

Gary Avis in The Firebird.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Firebird, A Month in the Country, Symphony in C – London

★★★★✰   Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.

The Rite of Spring by Seeta Patel.© Foteini Christofilopoulou. (Click image for larger version)

Seeta Patel – The Rite of Spring, Dance Dialogues – London

★★★✰✰   Rite of Spring: Through the perspective of a South Asian gaze, the brutality and finality of the original ballet’s pagan sacrifice is tempered by a rich spirituality and the optimistic suggestion of an after-life. It’s still scary but less barbaric.

Yorke Dance Project in Kenneth MacMillan's Playground.© Pari Naderi. (Click image for larger version)

Yorke Dance Project – Twenty: Playground, Between and Within, Communion, Imprint – London

★★★★✰   By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan’s Playground and a 10-strong ensemble for Robert Cohan’s Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.

Yang Liping's Rite of Spring.© Li Yijan. (Click image for larger version)

Yang Liping – Rite of Spring – London

★★★✰✰   As with most retellings, Liping’s centres on a young woman destined to dance herself to death. However, the dancemaker has invoked Buddhist principles, including the concept of reincarnation…

Joseph Gordon and Ashley Bouder in Balanchine's Scotch Symphony.© Paul Kolnik. (Click image for larger version)

New York City Ballet – All Balanchine quad bill including Scotch Symphony – New York

★★★★✰   There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet…

Crystal Costa and 5 Voices (Adela Ramirez, Angela Wood, James Forbat, Francisco Bosch and Henry Dowden) in Stina Quagebeur's Nora. © Foteini Christofilopoulou. (Click image for larger version)

English National Ballet – She Persisted: Broken Wings, Nora, Le Sacre du printemps – London

★★★★✰   Grouping this diverse triple bill under the title She Persisted works in so many ways…

Mai Lisa Guinoo and Oliver Chapman in The Knot.© Foteini Christofilopoulou. (Click image for larger version)

Umanoove / Didy Veldman – The Knot – London

★★★★✰   Dutch choreographer Didy Veldman has picked a rich subject to mine in The Knot: marriage in all its starry-eyed, nerve-wracking, life-altering glory.

Didy Veldman.© Chris Nash. (Click image for larger version)

Didy Veldman, Choreographer and Umanoove Director

Didy Veldman’s Umanoove are about to tour her latest work – The Knot – an examination of the social and personal significance of marriage in contemporary Western society. Diane Parkes has a word about the work and what makes Veldman tick

Students of the Upper School in Aurora’s Wedding.© Tristram Kenton / Royal Ballet School. (Click image for larger version)

Royal Ballet School – Summer Performance, ROH Main Stage – London

★★★✰✰   A matinee in two halves: fine before the interval, with dire, dreary choreography in the second half. Thank goodness for the exhilarating Grand Défilé at the close.

Aidan Gibson and Casey Ouzounis in Neue Suite (Berio 1-2-3).© Foteini Christofilopoulou. (Click image for larger version)

Semperoper Ballett – In the Middle, Somewhat Elevated, Neue Suite, Enemy in the Figure – London

★★★✰✰   Semperoper’s dancers distort the classical ballet line more than the Paris Opera Ballet’s (or ENB’s) and don’t bother much with fifth positions or precise épaulement for Forsythe’s endless tendus. They seem contemporary dancers rather than étoiles being outrageous.

Misty Copeland, Alessandra Ferri and Herman Cornejo in Afterite.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – 3 Bills: Giselle, Gala, Firebird/Afterite – New York

★★★★✰   After a week of Giselle, during which Natalia Osipova and David Hallberg had their much-awaited re-match, the company began its season in earnest on May 21, with a spring gala that included two new works and excerpts from a third…

New York City Ballet in Warren Carlyle’s Something to Dance About.© Erin Baiano. (Click image for larger version)

New York City Ballet – All Robbins No. 2 and Tribute to Robbins bills – New York

★★★★✰   The centenary celebration bills are more than enough to give a sense of Robbins’ breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.

Ask la Cour in The Four Temperaments.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Concerto Barocco, Agon, The Four Temperaments – New York

★★✰✰✰   Last week, on Thursday night, with the exception of The Four Temperaments, the company’s thoughts appeared to be elsewhere…

Sayaka Ichikawa and artists of Scottish Ballet and Ballet Black in House of Birds.© Dave Morgan. (Click image for larger version)

Viviana Durante Company – Kenneth MacMillan: Steps Back in Time bill – London

★★★★✰   All credit to Viviana Durante (supported by Royal Ballet, Ballet Black and Scottish Ballet dancers) for contributing to the 25th anniversary of Kenneth MacMillan’s death with recreations of his early work.

Viviana Durante.© David Scheinmann. (Click image for larger version)

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at the Barbican

Viviana Durante on her company and its showcasing of early Kenneth MacMillan works at London’s Barbican on 18 — 21 Apr 2018. Bruce Marriott talks to one of the foremost MacMillan interpreters about her MacMillan celebration showcasing 3 very rarely seen works.

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