★★★✰✰ Last week’s performance, of a triple bill of Balanchine works, was as normal as anything could be in these abnormal times...
Tag - Stravinsky
Last spring, live dance began its gradual return to New York City. The wait had been long, and the longing intense. I remember the first performance I saw in New York as if it were yesterday.
★★★✰✰ Seventeen months after Andrew McNicol announced the launch of his company, with its debut scheduled for April 2020, his programme of four new works has finally reached the stage...
The Frederick Ashton Foundation marked its tenth anniversary with an evening of rarely performed Ashton pieces and a specially commissioned film, Frederick Ashton: Links in the Chain, by Lynn Wake.
★★★✰✰ Though Ida Rubinstein must have been more of a poseuse than a danseuse, especially as she grew older, she had a remarkable career as an impresario. She used her money and social connections to commission creations from great composers, artists and choreographers...
★★★★★ One of the most riveting things I’ve seen in a long time.
★★★★✰ Jann Parry reviews the RB Balanchine and Robbins bill featuring Apollo, Tchaikovsky pas de deux and Dances at a Gathering.
★★★✰✰ A double bill with a re-run of Hans van Manen’s 5 Tangos paired with the premiere of Firebirds (based on the Stravinsky score), this new work having the rare distinction of being created by an all-woman team led by choreographer Marianna Venekei.
★★★★✰ George Balanchine's "Stravinsky Violin Concerto" has just been streamed by NYCB - Jann Parry on a complex and effervesent masterwork, if Balanchine stated that it was simply his response to Stravinsky’s music...
★★★✰✰ All three pieces (by Alexei Ratmansky, Danielle Rowe and Yuri Possokhov) were strong, though the program itself felt a bit curious.
With one common factor, music by Igor Stravinsky, Scottish Ballet (SB) deliver two excellent and very contrasting performances which were filmed at the Festival Theatre, Edinburgh in 2017.
★★★★✰ How is the company looking? ...the company looks good so far.
★★★★✰ New York City Ballet is off to a fine start when it opens the winter season with a very well-danced all Balanchine, all Stravinsky program.
★★✰✰✰ Phoenix Dance Theatre’s The Rite of Spring came with tantalising credentials: the company’s first collaboration with Opera North, and a UK debut for the Haitian choreographer Jeanguy Saintus...
★★★★✰ The Royal Ballet did themselves a lot of good with the last new bill of the season - a one-off celebration of Margot Fonteyn. There was much to be reminded of and be proud of.
★★★★✰ Three short but densely packed ballets infused with a strong Russian flavour were at the heart of the Royal Ballet’s last bill of the season.
★★★✰✰ Rite of Spring: Through the perspective of a South Asian gaze, the brutality and finality of the original ballet’s pagan sacrifice is tempered by a rich spirituality and the optimistic suggestion of an after-life. It’s still scary but less barbaric.
★★★★✰ By swelling the numbers of her small touring company, Yolande Yorke-Edgell was able to mount a revival of Kenneth MacMillan's Playground and a 10-strong ensemble for Robert Cohan's Communion. The programme also included new works by Sophia Stoller and Yorke-Edgell herself.
★★★✰✰ As with most retellings, Liping’s centres on a young woman destined to dance herself to death. However, the dancemaker has invoked Buddhist principles, including the concept of reincarnation...
★★★★✰ There’s a reason why New York City Ballet doesn’t do George Balanchine’s Scotch Symphony very often. It’s a strangely disjointed ballet...