The Jacob’s Pillow website contains an important and incredibly diverse dance archive under the banner "Dance Interactive" - Susanna Sloat introduces an important resource and calls out many video gems...
Tag - Twyla Tharp
The Royal Ballet's Sarah Lamb has long admired choreographer Twyla Tharp and in 2017 she got to work with the renowned mover and shaker of dance...
★★★✰✰ PNB kicked off their season in October with a gala that was the first performance on the McCaw Hall stage since February, a mixed programme that showcased an ensemble of excellent dancers in both classical and contemporary choreography...
★★★✰✰ The Washington Ballet opened its season with a program of new works created specifically for the company. All three ballets ...had a strong visual appeal and plenty of winning ideas...
Birmingham Royal Ballet ★★★✰✰ & Ballet Black ★★★★★ The Suit rewards multiple viewings and it thoroughly merited the opportunity of the bigger platform...
★★★★✰ In programs like this one, ABT really looks like an American company, steeped in American popular music and the relaxed attitude of popular dance. It’s a mode that suits the company well.
Pam Tanowitz, well known in New York, just created her first work outside the States - for the Royal Ballet. It's been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out...
★★★★✰ The fewer the speeches, the better the gala – this universal truth seems to have bypassed the organizers at American Ballet Theatre...
★★★★✰ Friday the 13th was auspicious for San Francisco dance: Margaret Jenkins Dance Company premiered Trace Figures, a site-specific performance immersion that could be done by no other company or permutation of artists.
★★★★✰ Thirty years after its creation, In the Upper Room is still the ultimate Twyla Tharp piece, an expression of American dynamism and New York style.
★★★★✰ Putov brought together remarkable performers whom we long to see again, and left us wanting more...
Jann Parry talks to the recently promoted Mayara Magri at an important time - she is about to make her debut as Gamzatti in The Royal Ballet's production of La Bayadere - her first major and leading role in the company she joined 6 years ago...
★★★✰✰ The fall season is too brief, particularly because it always feels as though it takes the company a few days to warm itself up. The dancing at the gala on Oct. 17 was a little slapdash, but by Friday things had begun to settle.
★★★✰✰ Williamson’s commission – the first of an ambitious Ballet Now programme for new works – was themed on issues of gender and alienation, with Brandon Lawrence being a man struggling for identity...
★★★★✰ The centenary celebration bills are more than enough to give a sense of Robbins' breadth, theatrical savvy, stylistic curiosities, and, perhaps most unique of all, his ability to present dancers as human beings onstage.
Dancer, choreographer, actress, teacher, director, writer, and mentor, Carmen de Lavallade is a true artist in every sense of the word – and a true legend.
★★★★✰ Roberts’ "Members Don’t Get Weary" is very much a mature work with a strong emotional charge and esthetic signature.
★★★✰✰ Kevin O’Hare is commissioning choreographers who want to make use of what the Opera House can offer; he’s not setting out to declare where ballet ought to be heading and he’s not playing safe.
Works by Twyla Tharp, Arthur Pita and Hofesh Shechter. Gallery by Foteini Christofilopoulou...
★★★★✰ Suspense be damned. I’m just going to give away the ending of this review: Crystal Pite’s Plot Point, which closes Pacific Northwest Ballet’s Her Story triple bill, is a terrific piece of dance-theater.