Author: Marina Harss

Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss

Under are the articles written for DanceTabs. Reviews on Balletco
Chalvar Monteiro in Jamar Roberts' Members Don't Get Weary.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – 2 premieres: Victoria & Members Don’t Get Weary + many more – New York

★★★★✰   Roberts’ “Members Don’t Get Weary” is very much a mature work with a strong emotional charge and esthetic signature.

Liz Gerring Dance Company in Horizon.© Yi-Chun Wu. (Click image for larger version)

Liz Gerring Dance Company – Horizon – New York

★★★★✰   Gerring’s dances may be spare – she doesn’t go in for complicated designs or music – but they certainly don’t feel dry. They teem with energy and life.

Marcelo Gomes and Sara Mearns in The Red Shoes.© Daniel Coston. (Click image for larger version)

New Adventures – Matthew Bourne’s The Red Shoes – New York

★★★★✰   It’s always exciting to discover a new side of an artist. For this, and for an immensely entertaining show, we have to thank Matthew Bourne.

Sean Suozzi and Lauren King in Orange.© Erin Baiano. (Click image for larger version)

BalletCollective – The Answer, Orange, The Last Time This Ended, Translation – New York

★★★✰✰   What’s different about Schumacher’s dances isn’t so much the end result as the process. He always commissions new music and builds the ballet up from the bottom, with the help of an external source of inspiration.

American Ballet Theatre in I Feel The Earth Move.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Souvenir d’un Lieu Cher, I Feel the Earth Move, Daphnis and Chloe – New York

★★★✰✰   The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?

Christine Shevchenko and Calvin Royal III in Alexei Ratmansky's Songs of Bukovina.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – The Gift, Songs of Bukovina, Thirteen Diversions – New York

★★★✰✰   In between the speeches and the short films came the dancing. The main attraction was the new Ratmansky work, Songs of Bukovina…

David Hallberg in Mark Morris’s Twelve of ‘em.© Stephanie Berger. (Click image for larger version)

Fall for Dance – New works by Michelle Dorrance, Kyle Abraham, Sara Mearns and Honji Wang, Mark Morris – New York

★★★✰✰   I caught all four new works: an expanded version of Michelle Dorrance’s Myelination, Kyle Abraham’s Drive, the Sara Mearns and Honji Want collaboration No. 1, and Mark Morris’s solo Twelve of ‘em for David Hallberg.

Unity Phelan and Zachary Catazaro in Christopher Wheeldon’s Polyphonia.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liturgy, Polyphonia, Odessa, The Times are Racing – New York

★★★★✰   The oldest piece on the program is Wheeldon’s Polyphonia. Made in 2001, it has stood the test of time. Just last week it was performed at the Fall for Dance festival…

Sara Mearns and Jared Angle in Justin Peck's Pulcinella Variations.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala: new work by Schumacher, Reisen, Lovette, Peck – New York

★★★✰✰   At New York City Ballet, the fall fashion gala has become a showcase for work by young choreographers. Each one is paired up with a fashion designer and voilà, it’s an event.

Rosas in A Love Supreme.© Maria Baranova. (Click image for larger version)

Anne Teresa De Keersmaeker/ Rosas with Salva Sanchis – A Love Supreme – New York

★★★★✰   Oh, Anne Teresa De Keersmaeker. What other choreographer can so doggedly drive a viewer to the verge of despair and then, almost casually, throw open the doors to ecstasy, all within the span of an hour?

Twyla Tharp.© Robert Whitman. (Click image for larger/full version)

Twyla Tharp Dance – The Raggedy Dances, The Fugue, Entr’acte, Dylan Love Songs – New York

★★✰✰✰   It all sounds terribly promising, and yet the evening falls as flat as a soufflé left in the oven for too long.

Gemma Bond's Then and Again.© Rod Brayman. (Click image for larger version)

Gemma Bond Dance – Then and Again, The Giving, Impressions – New York

★★★✰✰   It’s intriguing to see pas de deux that are clearly conceived from a woman’s point of view.

Paris Opera Ballet in Emeralds.© Agathe Poupeney. (Click image for larger version)Jewels, choreography by George Balanchine, ©The George Balanchine Trust.

Paris Opera Ballet, New York City Ballet, Bolshoi Ballet – Jewels – New York, Lincoln Center Festival

★★★★✰   It’s not often that one gets to see three such companies side by side, or to experience a work as familiar as Jewels with new eyes…

Rihoko Sato in Sleeping Water.© Jean Michel Blasco. (Click image for larger version)

Saburo Teshigawara / KARAS – Sleeping Water – New York

★★✰✰✰   There are dances that one figures out in the first five minutes. Hope as one might that the piece will evolve or turn a corner, it soldiers on in the same vein, section after section, until the end.

Sarah Lane and Alban Lendorf in Souvenir d’un lieu cher.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Tchaikovsky Spectacular bills – New York

★★★✰✰   Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, …the complex history of a quartet of characters.

Wendy Whelan.© David Michalek. (Click image for larger version)

Interview: Wendy Whelan on staging her first ballet – at Pacific Northwest Ballet

Passing it On: Wendy Whelan Stages her first ballet, Alexei Ratmansky’s Pictures at an Exhibition, for Pacific Northwest Ballet.

Hee Seo and David Hallberg in Onegin.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Onegin – New York

★★★✰✰   It is the melodrama that people remember and are drawn to in Onegin. But his kind of melodrama isn’t everyone’s cup of tea…

AAADT in Billy Wilson's The Winter in Lisbon.© Christopher Duggan. (Click image for larger version)

Alvin Ailey American Dance Theater – The Winter in Lisbon, Mass, Ella, Revelations – New York

★★★✰✰   I often get the feeling that the Ailey dancers transcend the choreography they’re asked to dance. With the exception of the inescapable Revelations, the company’s repertory can be hit or miss.

Devon Tesucher in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★★✰   2 casts reviewed Isabella Boylston / Alban Lendorf and Devon Teuscher / Aléxandre Hammoudi.

Vicky Shick's Let it Linger.© Paula Court. (Click image for larger version)

Vicky Shick at the Lumberyard in the City festival – Let it Linger – New York

★★★✰✰   Vicky Shick’s dances are a little bit like silent family movies, a series of scenes from a life, edited together in no apparent order.

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