Author: Marina Harss

Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss

Under are the articles written for DanceTabs. Reviews on Balletco
American Ballet Theatre in Jessica Lang's Her Notes.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Jessica Lang’s Her Notes prmeiere + others – New York

★★★★✰   Jessica Lang’s Her Notes is a lovely and poetic work, though one with a slightly subdued effect. It is almost too tasteful.

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

Shen Wei Dance Arts in Neither.© Stephanie Berger. (Click image for larger version)

Shen Wei Dance Arts – Neither – New York

★★✰✰✰   The effect of Shen’s “Neither,” like that of the original opera, is decidedly muted.

Silas Riener, Jimena Paz and Eleanor Hullihan of Tere O'Connor Dance.© Julieta Cervantes. (Click image for larger version)

Tere O’Connor Dance – Undersweet, Transcendental Daughter – New York

★★★★✰   Structure and meaning lie at the heart of O’Connor’s work. With Undersweet he has achieved a perfect balance.

Marianna Krempeniou, Liam Riddick, Oihana Vesga Bujan, Nancy Nerantzi and Elly Braund in Richard Alston's Rejoice in the Lamb.© Chris Nash. (Click image for larger version)

Fall For Dance Festival – Program 2: Richard Alston, Aszure Barton, Wendy Whelan, Edward Watson, Grupo Corpo – New York

★★★✰✰   One of this recurring festival’s strongest selling selling points is the serendipity of its pairings. You pay $15 and get a grab-bag of dance in return. You’re bound to like something.

Lauren King, Abi Stafford, Megan Fairchild, Ana Sophia Scheller and Sterling Hyltin in Divertimento No. 15.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Divertimento No. 15, Episodes, Vienna Waltzes – New York

★★★★✰   Divertimento’s aura still shines; you want to see it again, to figure out its fluid, almost magical transitions. It’s a shame it will only be performed four times this season; it takes more than that for the audience, and the dancers, to really get to know it.

New York City Ballet in Peter Walker's Ten in Seven.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala 2016 – New York

★★★✰✰   The pattern is set: the company commissions works from three or four choreographers, often quite young, and pairs them with prominent designers. The works are short, and are introduced by filmlets…

Joaquin De Luz, Friedemann Vogel, Denis Matvienko and Marcelo Gomes in Tristesse.© Michael Khoury. (Click image for larger version)

Ardani 25 Dance Gala – Clay, Tristesse, Le Divertissement du Roi – New York

★★✰✰✰   So bravo for Danilian. All the dancing at the gala was very fine – who could expect any less from these dancers? One can (and should) question his taste but it’s clear that he’s willing to go out on a limb…

Avijit Das.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance, Part 2 Outdoors – New York

★★★✰✰   The bending of gender stereotypes seems to be a trend in Indian dance right now, and an interesting one…

Sarasota Ballet in Frederick Ashton's Facade.© Frank Atura. (Click image for larger version)

Sarasota Ballet – A Knight of the British Ballet (Ashton bill) – New York

★★★✰✰   The Sarasota dancers, who do so much Ashton, truly understand the style. As the evening progresses, one feels it more and more.

Stephanie Amuro in Helix.© Rose Eichenbaum. (Click image for larger version)

L.A. Dance Project – Harbor Me, 3 Marth Graham duets, Helix, On the Other Side – New York

L.A. Dance Project Harbor Me, Marth Graham duets (White, Star, Moon), Helix, On the Other Side ★★★✰✰ New York, Joyce Theater 27 July 2016 LA Story Since his quick exit from…

Reed Tankersley in Brahms Paganini by Twyla Tharp.© Yi-Chun Wu. (Click image for larger version)

Twyla Tharp Dance – Country Dances, Beethoven Opus 130, Brahms Paganini – New York

★★★✰✰   Twyla Tharp is a kind of dance wizard – steps pour out of her like torrents in a waterfall.

Stella Abrera and Marcelo Gomes in The Sleeping Beauty.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Sleeping Beauty – New York

★★★★✰   This is a production that lives and breathes, and which rewards multiple viewings, changing subtly with each cast.

Alessandra Ferri in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet with Alessandra Ferri – New York

★★★★✰   One can only imagine the satisfaction of dancing such a role at the age of 53, to a full house, among friends. The ovations were rapturous and went on for a long time.

Alvin Ailey American Dance Theater in Abraham's Untitled America: Second Movement.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Open Door, Untitled America: Second Movement, No Longer Silent, Exodus, Deep, Vespers, The Hunt, Revelations – New York

★★★✰✰   It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.

Ethan Fuller in The Four Temperaments (First Variation: Melancholic), choreography by George Balanchine © The George Balanchine Trust.© Paul Kolnik. (Click image for larger version)

School of American Ballet – Workshop Performance: Danses Concertantes, Les Gentilhommes, The Four Temperaments – New York

★★★★✰   Each spring, the School of American Ballet, New York City Ballet’s breeding-ground, holds a series of “Workshop” performances to show off the crème de la crème of its upper-level students.

Skylar Brandt and Duncan Lyle in The Golden Cockerel publicity image.© Fabrizio Ferri. (Click image for larger version)

American Ballet Theatre – The Golden Cockerel – New York

★★★★✰   American Ballet Theatre’s spring season has turned into a kind of voyage into the mind of Alexei Ratmansky, its choreographer-in-residence since 2009.

Gilbert Small and Nicole Ward in 16+ a room by Emily Molnar.© Chris Randle. (Click image for larger version)

Ballet BC – 16+ a room, Solo Echo, Bill – New York

★★★✰✰   Have you ever left a performance of contemporary ballet desperate for some color, some light, some human warmth?

Miriam Miller and Anthony Huxley in Midsummer Night’s Dream.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Midsummer Night’s Dream – New York

★★★★✰   But the kids are just one element of what makes Midsummer tick. Another is the intelligence and efficiency with which the ballet tells its story.

Misty Copeland and Herman Cornejo in La Fille mal gardée.© MIRA. (Click image for larger version)

American Ballet Theatre – La Fille Mal Gardée – New York

★★★★★   La Fille Mal Gardée is a ballet that glows from within, lighthearted, tender and bursting with happy ideas.

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