Author: Marina Harss

Marina Harss is a free-lance dance writer and translator in New York. Her dance writing has appeared in the New Yorker, The Nation, Playbill, The Faster Times, DanceView, The Forward, Pointe, and Ballet Review. Her translations, which include Irène Némirovsky’s “The Mirador,” Dino Buzzati’s “Poem Strip,” and Pasolini’s “Stories from the City of God” have been published by FSG, Other Press, and New York Review Books. You can check her updates on Twitter at: @MarinaHarss

Under are the articles written for DanceTabs. Reviews on Balletco
Aparna Ramaswamy.© and courtesy of NCPA. (Click image for larger version)

Aparna Ramaswamy – They Rose at Dawn – New York

Ramaswamy is a natural allegro dancer; she’s high-spirited, warm, vivacious. But, at least tonight, she didn’t seem inclined to delve into the contrasting qualities of languor or sensual ardor

New York City Ballet in George Balanchine’s Liebeslieder Walzer.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Liebeslieder Walzer, Tchaikovsky Suite No. 3 – New York

A great Liebeslieder is like a short story, a complete world in fifty minutes of dancing; this Liebeslieder is still a work in progress.

Deborah Lohse and Mark Gindick in Doug Elkins' Hapless Bizarre.© Jamie Kraus for Jacobs Pillow 2014. (Click image for larger version)

Fall For Dance Festival at City Center – Programs 1 and 2 – New York

For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance…

Georgina Pazcoguin and Meagan Mann in Justin Peck's New Blood, in costumes by Humberto Leon of Opening Ceremony and Kenzo.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Fall Gala, with 4 premieres – New York

Nobody surpasses New York City Ballet in sleekness and urbanity. The company is like a glistening skyscraper: sharp-edged, diamantine and, sometimes, a little cold…

Izumi Higa; courtesy of Yokohama Noh Theater.© Yoshiaki Kanda. (Click image for larger version)

Japan Society – Traditional Dance from Okinawa – New York

The Japan Society consistently offers up some of the most eye-opening, refined evenings of music and dance in New York. One senses a real care in the curation…

Travis Clausen-Knight, Marie-Agnès Gillot, Louis McMiller in Tree of Codes.© Stephanie Berger. (Click image for larger version)

Wayne McGregor | Random Dance & Paris Opera Ballet – Tree of Codes – New York

With her startling presence, Gillot manages to supply Tree of Codes with the sense of purpose it otherwise lacks.

Julio Bocca.© Leo Barizzoni. (Click image for larger version)

Julio Bocca – Director Ballet Nacional SODRE in Montevideo

Julio Bocca, much loved but now no longer dancing, has a new life in Montevideo, running Ballet Nacional SODRE. Marina Harss talks to a busy man rebuilding his company – fast…

Esme Boyce in her A Pair of Ideal Landscapes.© Lora Robertson. (Click image for larger version)

Satellite Collective – BAM Fisher bill – New York

Collaboration can be a wondrous thing, but it’s no guarantee.

Aparupa Chatterjee in Brajaku Chora.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance, Part 2 indoors – New York

As on the previous evening, various schools of Indian dance were on view, revealing fascinating echoes and differences between them.

Paloma Herrera in a studio photograph for Sleeping Beauty.© Juan Mathé. (Click image for larger version)

Paloma Herrera – former American Ballet Theatre Principal, dancer and teacher

Next year I want to dedicate more time to teaching, and finally bring out my clothing line, under the brand Paloma Herrera…

Rakesh Sai Babu in Dandi.© Darial Sneed. (Click image for larger version)

Erasing Borders Festival of Indian Dance – New York

But the highlight of the evening—in part because of its novelty— were the two dances performed by Rakesh Sai Babu, the young male dancer specializing in the much less familiar Chhau dance style…

Alexei Ratmansky.© Fabrizio Ferri. (Click image for larger version)

Alexei Ratmansky – Simple and Wise, a Q&A about Ratmansky’s Sleeping Beauty for ABT

Q: What have you learned about Petipa from the notations? Ans: Looking at the notations changed my taste. Honestly, I just can’t stand seeing productions of the classics any more, because I know how far it is from Petipa’s intentions…

National Ballet of China in the Red Detachment of Women.© National Ballet of China. (Click image for larger version)

National Ballet of China – Peony Pavilion, Red Detachment of Women – New York

The National Ballet of China dancers are beautifully trained, surprisingly tall, willowy – even the men – and delicately featured.

Marianela Nuñez and James Whiteside in Cinderella.© MIRA. (Click image for larger version)

American Ballet Theatre – Cinderella – New York

Two 2 casts reeviewed – led out by Stella Abrera and a guesting Marianela Nunez. But the star of Cinderella is the ballet itself – Ashton’s tribute to Petipa, to silliness, and to the power of childlike wonder…

Tristan Dyer in Liam Scarlett’s The Age of Anxiety.© ROH, 2014. Photographed by Bill Cooper. (Click image for larger version)

The Royal Ballet – Infra, Divertissements, The Age of Anxiety, The Dream, Song of the Earth – New York

These are dancers worth following in a wide repertory of works; it’s a shame to see them go while feeling we’ve barely gotten to know them better.

Marianela Nuñez and Nehemiah Kish in Song of the Earth.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

The Royal Ballet – The Dream, Song of the Earth – New York

After an absence of eleven years, the Royal Ballet has finally returned to New York; they’re currently presenting two programs at the Koch Theatre,..

Misty Copeland in Swan Lake.© Darren Thomas, Queensland Performing Arts Centre. (Click image for larger version)

American Ballet Theatre – Swan Lake (Copeland/Whiteside) – New York

Copeland has earned her place center-stage, and it seems more likely than ever that she will be promoted to principal.

Alvin Ailey American Dance Theater in Robert Battle's No Longer Silent.© Paul Kolnik. (Click image for larger version)

Alvin Ailey American Dance Theater – Exodus, Strange Humors, No Longer Silent, Revelations – New York

Battle (in No Longer Silent) responds with a brilliant visualization of the music’s intricate parts, a kind of neo-Rite of Spring for our time.

New York Theatre Ballet in Ashton's Capriol Suite.© Yi-Chun Wu. (Click image for larger version)

New York Theatre Ballet – Capriol Suite, Two Timing, Cat’s Cradle, Such Longing, Dark Elegies – New York

The program presented at St. Mark’s this past week reflects all of these positive developments; even more, it seemed infused with a new sense of assurance and identity.

Evgenia Obraztsova and Herman Cornejo in Romeo and Juliet.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Romeo and Juliet (Obraztsova/Cornejo) – New York

One could imagine a fine partnership developing between Cornejo and Obraztsova. Both are generous and open-hearted performers.

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