"George Balanchine" tag
Misty Copeland and Alban Lendorf in Giselle.© Khalid Al-Busaidi. (Click image for larger version)

American Ballet Theatre – Giselle – New York

American Ballet Theatre Giselle ★★★★✰ New York, Metropolitan Opera House 26,27 May 2017 www.abt.org Giselle Fever Like Swan Lake, Giselle is a centerpiece of the ballet repertoire; American Ballet Theatre performs it almost…

Interviewed - Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes - 4 of the 6 Emerging Dancer 2017 finalists.© Laurent Liotardo. (Click image for larger version)

English National Ballet’s Emerging Dancer 2017 Competition – 5 Questions to 4 Finalists

English National Ballet’s Emerging Dancer Competition is unique in British ballet in throwing the spotlight on more junior dancers or “tomorrow’s stars” as ENB put it. This year’s competition is on the 25 May and ahead of the that we talk to 4 of the 6 finalists – Isabelle Brouwers, Rina Kanehara, Madison Keesler and Guilherme Menezes…

Zenaida Yanowsky in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Symphonic Dances (premiere), The Vertiginous Thrill of Exactitude, Tarantella, Strapless – London

★★★★✰   Symphonic Dances is Scarlett’s farewell portrait of Yanowsky. Like her, the ballet is big and bold, beautiful and elusive.

Zenaida Yanowsky and Reece Clarke in Symphonic Dances.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Liam Scarlett’s new Symphonic Dances + Forsythe, Balanchine, Wheeldon

The Royal Ballet perform a mixed bill of four works – William Forsythe’s ‘The Vertiginous Thrill of Exactitude’, George Balanchine’s ‘Taranatella’, Christopher Wheeldon’s ‘Strapless’ and Liam Scarlett’s world premiere of ‘Symphonic Dances’…

Clare Halse and the company of 42nd Street.© Brinkhoff & Moegenburg. (Click image for larger version)

42nd Street / An American in Paris – London

42nd Street ★★★★★ / An American in Paris ★★★★✰ – Jann Parry reviews “42nd Street” and takes another look at “An American in Paris”, this time with Ashley Day partnering Leanne Cope…

Still from NYCB's promotional video for Justin Peck's The Decalogue.© NYCB. (Click image for larger version)

New York City Ballet – HERE/NOW Festival No. 6 & 8 including Peck’s The Decalogue (premiere) – New York

★★★✰✰   With his latest, The Decalogue, which opened on May 12, Justin Peck seems to have turned a new page…

Washington Ballet in Seven Sonatas.© Theo Kossenas Media 4 Artists. (Click image for larger version)

Washington Ballet – Balanchine, Ratmansky, Tharp bill – Washington

★★★✰✰   Their hunger for dance – that sense of palpable excitement to be onstage and in the moment – was particularly evident during the company’s premiere of Ratmansky’s Seven Sonatas.

Beatriz Stix-Brunell and Valeri Hristov in Emeralds.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – Jewels: Emeralds, Rubies, Diamonds – London

★★★★✰   The first Emeralds ballerina, Beatriz Stix-Brunell, could be a water nymph, touching the hands of her suitor, Valeri Hristov, in the opening pas de deux before drifting out of reach.

Sarah Lamb and Steven McRae in Rubies.© Dave Morgan, courtesy the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in Jewels – Emeralds, Rubies, Diamonds

Gallery by Dave Morgan…

Atlanta Ballet in 2014 feted its artistic director emeritus with a gala ball. Kelsey Ebersold, an apprentice with Atlanta Ballet at the time, is pictured along with Robert Barnett in costume for Barnett's Fascinatin' Rhythm.© Charlie McCullers, courtesy of Atlanta Ballet. (Click image for larger version)

Interview – Robert Barnett, former New York City Ballet dancer and longtime Artistic Director of Atlanta Ballet

Robert Barnett joined New York City Ballet in 1949. In those early years he worked closely with Balanchine and Robbins particularly before going on to direct Atlanta Ballet. Now 91 he is still actively involved in dance and passing on all he knows…

Simone Messmer and Miami City Ballet dancers in The Fairy’s Kiss. Choreography by Alexei Ratmansky.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – The Fairy’s Kiss, Walpurgisnacht Ballet, Polyphonia – Miami

★★★★✰   The Fairy’s Kiss (Ratmansky premiere): The final image is poetic, grand, inspiring. It takes one’s breath away.

Taylor Stanley, Anthony Huxley and Brittany Pollack in Justin Peck's Scherzo Fantastique.© Paul Kolnik. (Click image for larger version)

New York City Ballet – Stravinsky x Five bill – New York

★★★✰✰   Alongside George Balanchine and Jerome Robbins, one could argue that the third most important voice at New York City Ballet in the twentieth century was that of Igor Stravinsky.

Sara Mearns and Jared Angle in Swan Lake.© Paul Kolnik. (Click image for larger version)

New York City Ballet – La Sonnambula, Prodigal Son, Firebird, Allegro Brillante, Swan Lake, Four Temperaments – New York

★★★★✰   Sara Mearns, who made her name as Swan Queen at the age of nineteen, is still the most thrilling Odette around.

Kerala Kalamandalam in Dussasana Vadhom.© Kevin Yatarola. (Click image for larger version)

Memorable Performances of 2016 – New York

Marina Harss with her personal selection of New York dance memories this last year…

Lauren Cuthbertson in The Nutcracker.© Tristram Kenton, courtesy the Royal Opera House. (Click image for larger version)

Royal Ballet – The Nutcracker – London

★★★★★   The Royal Ballet’s Nutcracker has undergone various changes since its gala premiere in 1984, not least in the central roles of Clara and Drosselmeyer…

Miami City Ballet in Giselle.© Gene Schiavone. (Click image for larger version)

Miami City Ballet – Giselle – Fort Lauderdale

★★★★✰   From start to finish, this Giselle was superbly realized: stylistically accurate, visually enchanting and emotionally poignant.

Viviana Durante.© David Scheinmann, courtesy Viviana Durante. (Click image for larger version)

Interview – Viviana Durante: Ballerina, mother, teacher and coach of MacMillan’s Anastasia

One of the leading interpreters of Kenneth MacMillan’s dramatic ballets Viviana Durante’s leaving of the Royal Ballet at the height of her powers was a sad loss to London, if the gain of those who saw her perform elsewhere all around the world. Well now she’s back at the Royal Opera House, this time to coach MacMillan’s Anastasia, which is where Jann Parry caught up with her…

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Suzanne Farrell Ballet in Danses Concertantes.© Paul Kolnik. (Click image for larger version)

Suzanne Farrell Ballet – Danses Concertantes, Gounod Symphony, Stars and Stripes – Washington

★★★★✰   Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

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