A long-established dance writer, Jann Parry was dance critic for The Observer from 1983 to 2004 and wrote the award-winning biography of choreographer Kenneth MacMillan: 'Different Drummer', Faber and Faber, 2009. She has written for publications including The Spectator, The Listener, About the House (Royal Opera House magazine), Dance Now, Dance Magazine (USA), Stage Bill (USA) and Dancing Times. As a writer/producer she worked for the BBC World Service from 1970 to 1989, covering current affairs and the arts. As well as producing radio programmes she has contributed to television and radio documentaries about dance and dancers.
Under are the articles written for DanceTabs. Reviews on Balletco
Richard Alston Dance Company – Detour, Quartermark, Proverb, Brahms Hungarian – London
★★★★✰ Alston’s choreography is formal in that it has structure, style and steps, instead of resorting to running in circles. Its partnering etiquette is courteous rather than abusive.
Royal Ballet – Don Quixote – London
★★★★★ With Marianela Nunez and Vadim Muntagirov… Theirs was a performance that caught up everyone in the sheer pleasure and excitement of spectacular dancing.
Royal Ballet School & Royal Ballet – The Cunning Little Vixen, The Two Pigeons – London
★★★★✰ – Royal Ballet School in Liam Scarlett’s new Cunning Little Vixen. ★★✰✰✰ – Royal Ballet’s Yasmine Naghdi debut in Two Pigeons.
Akram Khan Company – Until the Lions – London
★★★★✰ As an almost abstract dance work Until the Lions is outstanding, a spectacular collaboration between dancers, musicians, designers and technicians.
Royal Ballet – Les Patineurs, Winter Dreams, The Concert – London
★★★★✰ Now that we are all one more Nutcracker nearer death, as weary critic Richard Buckle used to bemoan, the Royal Ballet has given us a wintry bonne bouche of ballets to savour.
Close up with Darcey Bussell and Ashton’s Sylvia at the Royal Opera House Cinema Festival
To celebrate 10 year of live relays the Royal Opera House is hosting a Cinema Festival of past works in the newly rebuilt Linbury Studio Theatre. Jann Parry was there for the screening of Ashton’s Sylvia (recorded in 2005) and which included Darcey Bussell reminiscing about dancing the lead role…
Royal Ballet – The Nutcracker – London
★★★★✰ Wright’s ending is the best ever, preserving the assurance of the Grand pas de deux that the future must surely be blissful.
Nitin Sawhney / Sébastien Ramirez & Honji Wang — Dystopian Dream – London
★★✰✰✰ According to a programme note by the Wang Ramirez duo, they have turned Sawhney’s album into ‘a fully choreographed show. What will be shown on stage is the result of our interpretation of what has been discussed, researched, felt and exchanged during our meetings.’
Royal Ballet – The Unknown Soldier (premiere), Infra, Symphony in C – London
★★★✰✰ If The Unknown Soldier is dispiritingly low-key, Wayne McGregor’s Infra remains assertively bold…
Mark Morris Dance Group / Silkroad Ensemble – Layla and Majnun – London
★★★✰✰ Mark Morris’s Layla and Majnun is a music concert with dancing, lamenting a love that cannot be. It’s an age-old story, spread across continents and centuries.
Interview: Mayara Magri, First Soloist, The Royal Ballet
Jann Parry talks to the recently promoted Mayara Magri at an important time – she is about to make her debut as Gamzatti in The Royal Ballet’s production of La Bayadere – her first major and leading role in the company she joined 6 years ago…
Royal Ballet – La Bayadère – London
★★★★✰ In the past, the Royal Ballet’s version, last performed five years ago, has sometimes seemed insubstantial. Not so this time, with a luxury cast in full dramatic mode: Vadim Muntagirov, Marianela Nuñez, Natalia Osipova and Gary Avis…
Birmingham Royal Ballet – Fire and Fury: The King Dances, Ignite – London
★★★✰✰ David Bintley, who steps down as director of Birmingham Royal Ballet at the end of the 2018/2019 season, describes the current double bill as ‘two ballets fuelled by power and politics’.
Royal Ballet – Mayerling (Bonelli, Morera) – London
★★★★✰ The partnership in Mayerling between Morera and Bonelli is a fine example of how experience can illumine the nuances of a dramatic ballet.
Royal Ballet – Mayerling (Hirano, Osipova) – London
★★★★✰ Osipova is lethally orgasmic… Never has MacMilllan’s choreography for the death duet seemed so astounding as in her account of it.
William Forsythe – A Quiet Evening of Dance – London
★★★★✰ Forsythe is surprising himself and his audience with new discoveries of what bodies and ballets can do.
Big Dance Theater – 17c – London
★★★✰✰ Big Dance Theater company, based in New York, set about turning Samuel Pepys priapic confessions into a dance theatre piece, mashing up past and present….
World Ballet Day, 2 October 2018 – an insight into what The Royal Ballet will be doing
Jann Parry talks to The Royal Ballet about what’s happening on World Ballet Day this year and just what it means for some of those involved… Kristen McNally, James Hay and Assistant director Anthoula Syndica-Drummond.
Les Ballets Trockadero de Monte Carlo (Trocks) – Programme A, Swan Lake bill – London
★★★★★ The Trocks’ version of Swan Lake (or Lac, as it used to be known) restores some Soviet era removals. Benno, the hero’s best friend and supporter, is back, as are mime sequences, mostly mystifying the participants…
Sidi Larbi Cherkaoui and Shantala Shivalingappa – Play – London
★★✰✰✰ Cherkaoui looks older than his years, so much so that his relationship in Play with Shivalingappa risks being unsettling. As dancers, they are no longer equals, as they must have been in 2008.
