A long-established dance writer, Jann Parry was dance critic for The Observer from 1983 to 2004 and wrote the award-winning biography of choreographer Kenneth MacMillan: 'Different Drummer', Faber and Faber, 2009. She has written for publications including The Spectator, The Listener, About the House (Royal Opera House magazine), Dance Now, Dance Magazine (USA), Stage Bill (USA) and Dancing Times. As a writer/producer she worked for the BBC World Service from 1970 to 1989, covering current affairs and the arts. As well as producing radio programmes she has contributed to television and radio documentaries about dance and dancers.
Under are the articles written for DanceTabs. Reviews on Balletco
Royal Ballet – Swan Lake – London
★★★★✰ Marianela Nunez and Vadim Muntagirov’s account of Swan Lake is spellbinding… if Scarlett’s revision of the 1895 scenario makes even less sense than the original.
Viviana Durante Company – Isadora Now triple bill – London
★★★★✰ Isadora Duncan’s spirit has been honoured, even if the impact of her presence remains elusive.
Alina Cojocaru – Alina at Sadler’s Wells – London
★★★★✰ Alina Cojocaru’s choice of works for her brief season at Sadler’s Wells provided an insight into her priorities as she reflected on her career: live music-making and dance-making that has something to say.
The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London
★★★✰✰ In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…
Russell Maliphant – Maliphantworks3: The Space Between, Film One & Two, Duet – London
★★★★✰ In this magical programme of two duets and two short films, Maliphant is investigating weightlessness – not so much defying gravity as conjuring its non-existence.
Cathy Marston on The Cellist & Mrs. Robinson – new works for The Royal Ballet & San Francisco Ballet
In the next two months Cathy Marston has premieres at The Royal Ballet (17 February) and San Francisco Ballet (24 March) – Jann Parry talks to Marston about the inspiration and making of two special works…
Ballet Icons Gala 2020 – London
★★★★✰ The annual Icons gala provides the chance to see dancers who don’t often appear in London…
Royal Ballet – Onegin – London
★★★★✰ The ballet works as a conflicted love story centred on the heroine, Tatiana. When Natalia Osipova dances the role, she brings home how Russian the character is.
Svetlana Zakharova – Modanse: Gabrielle Chanel, Come un Respiro – London
★★★✰✰ Stunning images of Bolshoi ballerina Svetlana Zakahrova dressed as Coco Chanel whetted the appetite for the London Premiere of her latest how, Modanse.
Richard Alston Dance Company – Alston at Home – London
★★★★✰ Richard Alston’s title for his company’s last tour before it closes in 2020 is Final Edition. The autumn run ended with four performances at The Place, in a programme aptly called Alston At Home.
Royal Ballet – Coppélia – London
★★★★✰ The dancing is so enjoyable, the comedy so appealing, that any flaws in the story telling are easily overlooked.
Rambert – Rambert Merce Cunningham Event – London
★★★★✰ As part of the Merce Cunningham Centennial celebrations, Rambert dance company took over all four floors of Sadler’s Wells before the on-stage performance of this year’s Event.
Royal Ballet – The Sleeping Beauty – London
★★★★✰ The Royal Ballet’s current production of The Sleeping Beauty, dating back to 2006, is a homage to Ninette de Valois and her faith that Marius Petipa’s Imperial Russian ballet should be the flagship of her British company.
Feature – Ashton Rediscovered Masterclass: Foyer de danse and the Le Papillon solo
Ashton Rediscovered Masterclass: “Foyer de danse”, coached by Ursula Hageli & Christopher Newton, and the “Le Papillon” solo, coached by Wayne Eagling. Jann Parry with a detail report for DanceTabs..
CCN Ballet de Lorraine and Compagnie Amala Dianor – The Future Bursts In bill – London
★★★★✰ The title of the latest triple bill in the Linbury studio theatre is taken from The Observer’s dance critic’s review of the Merce Cunningham Company’s arrival in Britain in 1964.
Royal Ballet – Concerto, Enigma Variations, Raymonda Act III – London
★★★★✰ It is all too easy to assume that the first triple bill of the Royal Ballet’s autumn season celebrates its creative heritage from the 1960s. In fact, two of the ballets were made for other companies…
Interview: Pam Tanowitz – Choreographer and Director
Pam Tanowitz, well known in New York, just created her first work outside the States – for the Royal Ballet. It’s been a critical success and Jann Parry (who gave the work 5 stars) finds out what makes her tick and why so many directors are seeking Tanowitz out…
Royal Ballet – Merce Cunningham celebration: Cross Currents, Monotones II, Everyone Keeps Me – London
★★★★★ Quite some achievement by Pam Tanowitz, to have followed treasured works by Cunningham and Ashton with one that pays homage to both, yet stands on its own as her distinctive tapestry of dance.
Royal Ballet – Manon – London
★★★★✰ Sarah Lamb and Vadim Muntagirov, as Des Grieux, are not new to the roles and their understanding of the characters and the choreography has deepened with experience.
Ballet Preljocaj – La Fresque – London
★★★✰✰ The key to La Fresque (The Wall Painting) is that it was originally commissioned in France as a piece to be seen by young people. Choreographed by Angelin Preljocaj, it’s based on a 14th century Chinese fable…
