In all, this was a tremendously entertaining and well-received program; but at the same time it left an unsettling impression that the Russian company is holding on to its eminent past with all its might, relying heavily on well-worn
Author - Oksana Khadarina
Oksana Khadarina is a Washington, DC–based dance writer and a long-time contributor to DanceTabs. She has been covering dance at The John F. Kennedy Center for the Performing Arts, as well as in New York City and internationally, since 2006. She has written for Dance Magazine, Pointe and Fjord Review, among other publications.
McBride joined the New York City Ballet in 1959, and two years later, at the age of 18, she was promoted to the rank of principal, becoming the youngest principal dancer in the troupe's history.
It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.
This is a musical that will certainly delight all dance lovers: the theme of ballet permeates the show from start to finish.
The Washington Ballet hit all the right marks with its 70th anniversary season opening program at the Sidney Harman Hall in October.
The dancers’ dedication and sense of purpose were genuine and consistently present; but I wasn’t moved.
Washington is going Little Dancer mad with both an exhibition of the famous Edgar Degas sculpture and a new Susan Stroman musical based on the iconic art work with Tiler Peck in the lead...
But the true revelation – and the main reason to see this production – is Alessandra Ferri.
We catch up with Septime Webre, choreographer and artistic director of Washington Ballet. So what makes him get up in the morning? Oksana Khadarina finds out...
JLD is a relatively young troupe, but it consists of nine experienced and established dancers, some of them well-known and admired in Washington. Take for example, Clifton Brown...
David Hallberg is a rarity in today’s classical ballet. Tall, lean and strikingly handsome, with pure classical line and impeccable dancing prowess, he is a genuine danseur noble.
Smythe’s Harlem was a riot of imagination, movement and color. The choreography blended together three seemingly unmixable styles of dance – classical ballet, jookin’ and flamenco...
The idea behind the National Symphony Orchestra’s “NEW MOVES: symphony + dance” festival was ingenious and simple: to promote American contemporary music and to attract new audiences ...
The gala formula really worked. An eclectic selection of dances – six duets and three short ballets – offered something for almost every taste...
The Sunday matinee performance I attended had all the prerequisites for huge success, featuring world-class principals Paloma Herrera and Ivan Vasiliev, plus a superb supporting cast.
In many ways, Jewels is Balanchine’s choreographic résumé – a retrospective and a vivid showcase of his aesthetics and creative genius...
Washington Ballet – British Invasion: A Day in the Life, Rooster, There Where She Loved – Washington
Created for the Geneva Ballet in 1991, Rooster is both an entertaining rock‘n’roll romp and a nostalgic glimpse into the ebullient 1960s.
The evening offered a sampler of Morris’s newly-minted works (A Wooden Tree, Jenn and Spencer and Crosswalk, all made in 2012-13) and his splendid Italian Concerto from 2007.
Val Caniparoli’s Bird’s Nest – the first dance of the evening – is a vivid proof that ballet and jazz are meant for each other
The formula for the success of the Mariinsky’s Swan Lake is simple. The love story between a beautiful young woman turned into a swan and a prince is told in a direct, traditional manner. There is no symbolism or hidden meaning here, no exaggeration or melodrama.





