Acosta deserves every moment of his standing ovation...
Author - Siobhan Murphy
Siobhan Murphy is a freelance writer, reviewer and editor, based in London. Between 2005 and 2014 she was London Metro's arts editor. She also contributes to LondonDance and tweets sporadically at @blacktigerlily.
Watching a group of men “erupt on stage”, as he describes it, had a profound effect on Rizzo – this 60-minute piece is his attempt to explore why.
Calling it a dance performance might be pushing it, to be honest, as there’s little actual dance... Instead, it’s more of a slick live art installation...
What does all this mean? Beats me.
Enthusiasm alone doesn’t make a show a success, though, and Inala doesn’t quite succeed in melding all that goodwill into a coherent exploration of dance and music from markedly different traditions.
It's undoubtedly fun in Decouflé’s world... but you do start to wish someone would hold your hand through it for a while.
What, you may wonder, is the point of it all?
ean Gandini’s fascination with classical ballet has led to this collaboration with ex-Royal Ballet dancer and budding choreographer Ludovic Ondiviela...
Contemporary dance pioneer Shobana Jeyasingh takes a bold, inspired step along her chosen route of exploring marginality and difference with this latest Royal Ballet commissioned work.
Collaboration is the theme running through dancer/choreographer Tim Casson’s Wild Card evening at Sadler’s Wells; it’s also the foundation stone of his Casson & Friends project, running since 2012.
Nancy-based Ballet de Lorraine arrives as a bit of an unknown quantity; led by Swedish ex-Sadler’s Wells Royal Ballet principal Peter Jacobsson, its work is avowedly experimental...
English National Ballet Modern Masters: Petite Mort, Spring And Fall, In The Middle, Somewhat Elevated London, Sadler’s Wells 10 March 2015 Gallery of pictures by Foteini Christofilopoulou www.ballet.org.uk www.sadlerswells.com As the opening salvo of ENB’s new partnership with Sadler’s Wells, Modern Masters is a powerful statement of intent. Tamara Rojo’s newly energised company presents itself...
Flamenco in the hands of Ballet Nacional de España is far from the rough and ready peña experience: Antonio Najarro’s Madrid-based company offers instead precision-tooled dance...
For dance fans, the chance to see Carmen Cortés is an unalloyed joy. When she abandons providing palmeos and steps to the front of the stage, she prowls cat-like around the music...
... 28 years on, what strikes you is how vital and of the moment the piece still seems.
On the eve of opening the latest Royal Ballet season of 'Onegin' Thiago Soares talks about one of his most inspirational roles, and a few other things too...
William Trevitt and Michael Nunn have taken their BalletBoyz company up a few gears with this latest work; pitching their 11 male dancers – and two guest women – into an intense, demanding, full-length piece exploring the horrors of war.
Featuring works by Rambert dancers Patricia Okenwa, Luke Ahmet, Simone Damberg Wurtz, Dane Hurst and Pierre Tappon.
Forced Entertainment’s first show conceived for young people is a whimsical ode to the power of storytelling.
The Place’s adventurous four-day Currency Festival aims for the quirky in its mix of dance and circus acts from across Europe...





