Reviews

Reviews of Dance and Ballet Performances

Reviews

Boston Ballet – Don Quixote – Boston

And I’ll close with more praise of Maina Gielgud. I’ve never seen a ballet she’s set that hasn’t been absolutely first-rate. Boston Ballet has performed her Giselle for many years now and it’s easily my favorite Giselle, just as this production is now my favorite Don Quixote.

Features Reviews

International Ballet Festival – Dance Open – St Petersburg

International Ballet Festival – Dance Open Performances: Bad Boys of Dance, Gala Tribute to Natalia Dudinskaya, Dance Open – Gala of International Ballet Stars St Petersburg, Oktyabrsky Concert Hall and others 14-16 April 2012 www.danceopen.com It’s that time of year in St Petersburg when the water from the taps comes out dirty yellow as the winter’s ice and snow melt into the system...

Reviews

Royal Ballet – La fille mal gardee – London

Every review of La Fille mal Gardée should start with an acknowledgement that, however excellent the performance may have been, the greatest credit belongs to Frederick Ashton, who more than 50 years ago put this happy masterpiece together in a few weeks of cheerful collaboration with his dancers.

Reviews

Royal Ballet of Flanders – Artifact – London

In 1984 Fosythe's vocabulary was much more strongly rooted in ballet: though it is spikily aggressive and legs are flung upwards over beyond the perpendicular, it is not as twisted and distorted as it later became. It is cool, rigorous, fiercely disciplined and blazing with adrenalin.

Reviews

Hong Kong Ballet – Turandot – Hong Kong

...in late March the troupe revived Turandot, created in 2003 by the Australian choreographer, Natalie Weir, and one of the best works premiered during the tenure of the former artistic director, Stephen Jefferies.

Reviews

Royal Danish Ballet – Lady of the Camellias – Copenhagen

It's said that for financial reasons there will be no more performances of Lady of the Camellias here after this run – that would be a little tragedy of its own: these dancers deserve the chance to grow in their roles and their audience deserves the opportunity to see them do it. Let's hope some way will be found to make it happen.

Reviews

Eifman Ballet – Anna Karenina – London Coliseum

Boris Eifman is described in his company’s programme notes as a ‘choreographer-philosopher’ who wants to ‘draw spectators into the inexhaustible world of human passions’. His aim is to reinterpet the work of past geniuses to bring out their relevance to us today. ...Eifman is the Ken Russell of St Petersburg.

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