The Royal Ballet – The Cellist (premiere), Dances at a Gathering – London
★★★✰✰ In The Cellist, Cathy Marston has taken on a challenging subject for her first commission for the Royal Opera House stage: the real-life story of a much-loved musician Jacqueline Du Pré…
Gallery – Royal Ballet in The Cellist and Dances at a Gathering
Gallery by Foteini Christofilopoulou…
Cathy Marston on The Cellist & Mrs. Robinson – new works for The Royal Ballet & San Francisco Ballet
In the next two months Cathy Marston has premieres at The Royal Ballet (17 February) and San Francisco Ballet (24 March) – Jann Parry talks to Marston about the inspiration and making of two special works…
Some Memorable Performances of 2019 – London
Lynette Halewood with some reflections on London dance performances over the last year – the good and the less good…
Birmingham Royal Ballet & Ballet Black – A Brief Nostalgia, The Suit, Nine Sinatra Songs – London
Birmingham Royal Ballet ★★★✰✰ & Ballet Black ★★★★★ The Suit rewards multiple viewings and it thoroughly merited the opportunity of the bigger platform…
London Children’s Ballet – Ballet Shoes – London
★★★✰✰ The great achievement of LCB is to mount professional productions, complete with full orchestra, without charging parents for the privilege.
Ballet Black – The Suit, Ingoma – London
★★★★✰ Merging these two works onto the same bill created a powerful double-header of impressive and arresting dance theatre.
American Ballet Theatre – Jane Eyre – New York
★★✰✰✰ For all Marston’s qualifications, I found her Jane Eyre to be a dreary affair, theatrically dutiful and choreographically thin.
San Francisco Ballet – The Infinite Ocean, Snowblind, Björk Ballet – London
★★★★✰ Ballet companies across the globe are in a new age of commissioning …but none can match the pioneering zeal of this, the oldest American ballet company.
Gallery – San Francisco Ballet in The Infinite Ocean, Snowblind and Björk Ballet
Works by Edwaard Liang, Cathy Marston and Arthur Pita. Gallery by Foteini Christofilopoulou…
5 Questions to choreographer Ruth Brill, about to unveil ‘Peter & The Wolf’ for Birmingham Royal Ballet
We quickly catch up with choreographer Ruth Brill about her latest work for BRB, how she creates and what else she is up to… she’s a busy bee!
Northern Ballet – Victoria – London
★★★✰✰ Despite these reservations, I am certain that Victoria will repay multiple viewings, since there is much excellent work to consider…
Northern Ballet – Victoria (Marston premiere) – Leeds
★★★✰✰ Where the ballet takes off is when there are only two or three major characters on stage and then Marston clearly shows intentions and emotions and the dancing becomes rich and telling, clever and gorgeous.
Cathy Marston on her new work for Northern Ballet, Victoria, the creative process and more…
Marston has been working at Northern Ballet creating Victoria for the company (premiere this month) and we wanted to find out more, also catch up on other commissions and discuss just how she works creatively and manages to juggle it all so effortlessly…
San Francisco Ballet – The Fifth Season, Snowblind, Etudes – San Francisco
★★★✰✰ I was thrilled to see Snowblind returning. It was by far my favorite offering of last year’s Unbound Festival because it captivates on every level: potent storytelling, emotive choreography, fitting design tropes and deep character development.
Memorable Performances of 2018 – London
Semperoper Ballett Dresden were another new visitor in the summer, with a programme of Forsythe works, some not seen here before. But Forsythe is a theme this year in himself.
2018 National Dance Awards – Announcement of Nominations
The Dance Section of the Critics’ Circle is pleased to announce the nominations for the 19th National Dance Awards…
Northern Ballet – Jane Eyre – London
★★★✰✰ This excellent ballet is clearly a “keeper” and a work I would like to see again and again.
Royal Danish Ballet – The Queen of Spades – Copenhagen
★★★✰✰ The good news is that Queen of Spades is a good-looking crowd pleaser and the RDB dancers look fantastic in it – I can’t emphasise that enough. Also good that it’s a step up from his last commission, Frankenstein – thank goodness, really.
