"Cory Stearns" tag
Misty Copeland and Cory Stearns in Manon.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Manon – New York

★★★★★   As someone who cries easily, it’s a wonder that Manon remains a favorite ballet of mine… Misty Copeland and Cory Stearns were passionate and persuasive in their respective roles as Manon and Des Grieux.

Devon Teuscher in Le Corsaire.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Le Corsaire – New York

★★★★✰   Days after the performance, I cannot get James Whiteside’s Ali out of my head. Devon Teuscher’s Medora is charming and warm, pulling off triple fouettées turns and her Italian fouettées with aplomb…

Isabella Boylston and James Whiteside in The Seasons.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala with The Seasons premiere + Ratmansky Trio bill – New York

★★★★✰   It’s impossible not to be impressed by the range of these works, from introspective and conversational (Symposium) to brilliantly classical (The Seasons) to dramatic (Dnieper).

Devon Teuscher in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★★✰   Devon Teuscher has done her time, and the results are breathtaking…

American Ballet Theatre in I Feel The Earth Move.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Souvenir d’un Lieu Cher, I Feel the Earth Move, Daphnis and Chloe – New York

★★★✰✰   The choreographer and L.A. Dance Project director Benjamin Millepied is a mover and a shaker, a clever curator, a man of taste, a force in the dance world. But is he good choreographer?

Isabella Boylston and Calvin Royal III in Wheeldon's This Bitter Earth.© Erin Baiano. (Click image for larger version)

Vail Dance Festival – ReMix NYC – New York

★★★★✰   After watching two of the four programs, a few things stand out. Firstly, it is clear that this is no simple gala, despite the format; there is a strong personal esthetic and philosophy at work behind the programs.

Daniil Simkin and Blaine Hoven in Alexei Ratmansky's Serenade after Plato’s Symposium.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Serenade after Plato’s Symposium, Symphonic Variations, Brahms-Haydn Variations + Fall Gala – New York

★★★★✰   A second look at Alexei Ratmansky’s Serenade after Plato’s Symposium confirms the impression formed last season. It is a fascinating work that represents a new direction for the choreographer.

Gillian Murphy in Swan Lake.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Swan Lake – New York

★★★✰✰   Murphy is a sensual Odette, something made all the more effective by Stearns’ tenderness.

American Ballet Theatre in Ratmansky's Serenade after Plato’s Symposium.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – Spring Gala – New York

★★★★✰   It isn’t often that a gala program proves satisfying, but this one was the exception.

Gillian Murphy and Sterling Baca in After You by Mark Morris.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – After You, Monotones I & II, Brahms-Haydn Variations – New York

ABT galas are more laid-back than City Ballet’s; they’re less “produced,” with fewer speeches or slick video presentations. For the most part, the company just gets on with the show, with minimum fuss.

Devon Teuscher in Pillar of Fire.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Les Sylphides, Pillar of Fire, Fancy Free, Theme and Variations – New York

There are times when a dance lover just can’t believe her good fortune and one of those times comes around once a year in New York…

Marian Butler and Joseph Gorak (Chinesse) in The Nutcracker.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – The Nutcracker – New York

The ballet radiates warmth, but also an awareness of death….

American Ballet Theatre – Raymonda Divertissements and Sinfonietta triple bills – New York

Critics have compared the new Liam Scarlett to Jerome Robbins’ Dances at a Gathering; if so, it’s as if Dances had been set in an unhappy corner of the planet, for a group of lost souls…

Marcelo Gomes, Cory Stearns and Herman Cornejo in Jerome Robbins’ Fancy Free.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Raymonda Divertissements, Jardin aux Lilas, Fancy Free – New York

“It was a hell of a performance.” Marina Harss on Jerome Robbins’ Fancy Free.

Hee Seo and Marcelo Gomes in Liam Scarlett's With a Chance of Rain.© Marty Sohl. (Click image for larger version)

American Ballet Theatre – Gala: Rondo Capriccioso, With a Chance of Rain, Thirteen Diversions – New York

Liam Scarlett’s “With a Chance of Rain” premiere – It seemed Marcelo Gomes and Hee Seo might never detach from each other in the final pas de deux…

American Ballet Theatre in Swan Lake.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Swan Lake, Bach Partita, Seven Sonatas, Fancy Free – Brisbane

No-one could fail to be impressed by the versatility of ABT’s dancers and by the diverse repertoire they brought. They did themselves, their company and their country proud.

Gillian Murphy in The Dream.© Rosalie O'Connor. (Click image for larger version)

American Ballet Theatre – The Dream, The Tempest – New York

Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that…

Lauren Cuthbertson and Cory Stearns in The Nutcracker.© Dave Morgan, by kind permission of the Royal Opera House. (Click image for larger version)

Gallery – Royal Ballet in The Nutcracker

Gallery by Dave Morgan – Lauren Cuthbertson and Cory Stearns casting.

Veronika Part and Cory Stearns in The Moor's Pavane.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Theme and Variations, The Moor’s Pavane, A Month in the Country, Piano Concerto #1 – New York

On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success…

Polina Semionova and James Whiteside in Bach Partita.© Gene Schiavone. (Click image for larger version)

American Ballet Theatre – Bach Partita, Gong, The Tempest – New York

Throughout the Bach Partita, Tharp’s movement is technical, precise, and highly articulated. As with Balanchine, the bodies are always distinct, framed in space.

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