★★★✰✰ The program opened and closed with the most recent works: Jessica Lang’s Her Notes and Alexei Ratmansky’s Serenade after Plato’s Symposium. Both premiered at ABT in 2016, and both are works whose inspiration largely comes from their scores.
Tag - David Hallberg
★★★✰✰ I caught all four new works: an expanded version of Michelle Dorrance’s Myelination, Kyle Abraham’s Drive, the Sara Mearns and Honji Want collaboration No. 1, and Mark Morris’s solo Twelve of ‘em for David Hallberg.
★★★✰✰ Ratmansky’s Souvenir d’un Lieu Cher turned out to be a mysterious little ballet, a double pas de deux that captures, ...the complex history of a quartet of characters.
★★★✰✰ It is the melodrama that people remember and are drawn to in Onegin. But his kind of melodrama isn’t everyone’s cup of tea...
American Ballet Theatre Giselle ★★★★✰ New York, Metropolitan Opera House 26,27 May 2017 www.abt.org Giselle Fever Like Swan Lake, Giselle is a centerpiece of the ballet repertoire; American Ballet Theatre performs it almost every spring season, for good reason. The company’s production is handsome and a bit shopworn, with sets by Gianni Quaranta that were originally designed for the 1987 film...
★★★★✰ Alexei Ratmansky’s new ballet for ABT, Whipped Cream, is like a Viennese confection: so layered and airy that it takes a moment to fully take in the flavor of its many ingredients.
★★★✰✰ Be careful what you wish for. The Boy in Alexei Ratmansky’s Whipped Cream wishes for unlimited sweets; overfulfillment sends him to the hospital with sugar hallucinations.
★★✰✰✰ Like all galas, this was quite a mixed bag. Over 200 students trooped on and offstage in a veritable tornado of activity before the veteran YAGP dancers stepped out for the showstopping stuff...
A highlight of the season is the return of Kurt Jooss’s The Green Table, made in 1932. This meditation on the folly of war in eight scenes has lost none of its punch...
It is even more disappointing that the troupe should open its run with a Swan Lake so lackluster... It’s not the dancers’ fault. At every level, the Bolshoi dancers move with thrilling force and fullness.
Who but Frederick Ashton could turn a marital spat into one of the most delightful, touching works in the ballet repertoire? His 1964 The Dream is precisely that...
Few nineteenth-century story ballets are as satisfying as Giselle, with its simple and poetic plot, compact structure and starkly contrasting moods. This week I watched four Giselles, with four distinctly different casts...
To fully enjoy Ashton, one has to be willing to acquiesce to one’s own softer impulses, a sense of wonder and perhaps a little nostalgia, and to surrender the loveliness of small things.
David Hallberg is a rarity in today’s classical ballet. Tall, lean and strikingly handsome, with pure classical line and impeccable dancing prowess, he is a genuine danseur noble.
The Festival kicked off with two classical ballet companies presenting very different versions of the oldest and most celebrated Romantic ballets in the repertoire: a classic rendering of Giselle and a radically different take on La Sylphide...
...Hallberg’s entrance drew gasps and shouts of ‘bravo’ from the audience. His magnificently stretched jetés soared through the air...
On Sunday, American Ballet Theatre’s two-week fall season draws to a close. By most measures, it’s been a success...
This Cinderella, the hotly anticipated centerpiece of the Australian Ballet’s 2013 season, is sensationally, luxuriantly, and extravagantly beautiful...
The previous night had been dominated by Gillian Murphy’s performance. She is an absolute powerhouse in this role, a kind of super-stylized, inhuman creature, an art-deco distillation of speed and daring.
American Ballet Theatre are dancing Kenneth MacMillan's Romeo and Juliet. Marina Harss reviews 2 casts: Polina Semionova / David Hallberg and Roberto Bolle / Hee Seo...