Works & Process, a series that has been running at the Guggenheim Museum for over thirty-five years, is a valuable part of New York City’s cultural life and, in Covid-19 lockdown it's spawned much digital and work in bubbles from creatives and creative spaces all around...
Tag - Jamar Roberts
There’s no way around it: it’s been a miserable year for the performing arts here in the US... But still, there were highlights, moments in which for whatever reason, some spark illuminated the soul...
★★★★✰ The Fall for Dance festival is an all digital affair this year and Program 1 included striking and heartfelt premieres by Jamar Roberts and Christopher Wheeldon...
★★★★★ Dormeshia’s And Still You Must Swing is the first online dance that made me want to write about it. I knew it would be good...
★★★★✰ Jamar Roberts' Ode was the centerpiece and the highlight of the company’s performance, which also included Aszure Barton’s Busk (a company premiere) and Darrell Grand Moultrie’s Ounce of Faith (a premiere).
★★★★✰ Having watched the company since childhood, I find it is impossible not to instantly appreciate the sheer beauty and energy they radiate...
Alvin Ailey American Dance Theater Lazarus, Revelations ★★★★✰ New York, City Center 30 November 2018 www.alvinailey.org www.nycitycenter.org Forward to Ailey In March of 1958, Alvin Ailey presented his first evening of dance, at the 92nd Street Y. Sixty years on, the company is going strong, having survived the death of its founder in 1989 and the successful transfer of leadership from Ailey to...
★★★★✰ There is no limit to how often one can see Ailey’s 1960 masterpiece Revelations. The elation is always the same.
★★★✰✰ Multiverse: McGregor and his dramaturg may know what they want to convey about life and the universe(s) but despite the dancers’ efforts, the result is baffling.
★★★★✰ I saw Programme C at Sadler's Wells and like practically everybody else, have to rave about the dancers.
★★★★✰ Revelations is always a joy, however often one sees it. Ailey’s choreography, influenced by his mentor, Lester Horton, and Martha Graham, is a reminder of how potent that modern dance technique could be.
Gallery by Foteini Christofilopoulou...
★★★✰✰ It’s a truism that any afternoon that includes Alvin Ailey’s Revelations is apt to leave you happy.
★★★✰✰ Alvin Ailey American Dance Theater gave two new works their West Coast premieres on Tuesday at Zellerbach Hall, the opening night of its annual residency at Cal Performances in Berkeley.
Every fall, just after Thanksgiving, Alvin Ailey American Dance Theater sets up shop at City Center, as sure a sign of the season as Christmas carols at the grocery store.
For twelve years, the Fall for Dance festival has been going strong, and one can see why. No other dance series offer such an expansive, egalitarian and uncomplicated glimpse of what’s going on in dance...
Battle (in No Longer Silent) responds with a brilliant visualization of the music’s intricate parts, a kind of neo-Rite of Spring for our time.
Harris’s Exodus, on the other hand, felt just right. Like so many pieces in the Ailey repertory, it suggests a spiritual quest, a journey toward the light...
The company has performed here annually since 1968 and considers Berkeley its home away from home, both for the synergy it feels with the Cal Performances staff and the receptive local audience.
The second night... this was by far the best program I’ve ever seen Ailey offer: five pieces, each as good as the others in its different way...